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160930s2016 mnu o 00 0 eng d |
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|a 9781452952086
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|z 1452952086
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|z 9781517901097
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|a (OCoLC)959618128
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|a MdBmJHUP
|c MdBmJHUP
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|a Object-Oriented Feminism /
|c Katherine Behar, editor.
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|a Minneapolis :
|b University of Minnesota Press,
|c 2016.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2017
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|c ©2016.
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|a 1 online resource (280 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover; Half Title; Title Page; Copyright Page; Contents; An Introduction to OOF; 1. A Feminist Object; 2. All Objects Are Deviant: Feminism and Ecological Intimacy; 3. Allure and Abjection: The Possible Potential of Severed Qualities; 4. The World Is Flat and Other Super Weird Ideas; 5. Facing Necrophilia, or "Botox Ethics"; 6. OOPS: Object- Oriented Psychopathia Sexualis; 7. Queering Endocrine Disruption; 8. Political Feminist Positioning in Neoliberal Global Capitalism; 9. In the Cards: From Hearing "Things" to Human Capital.
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|a 10. Both a Cyborg and a Goddess: Deep Managerial Time and Informatic GovernanceAcknowledgments; Contributors.
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|a The essays in this book explore OOF: a feminist intervention into recent philosophical discourses - like speculative realism, object-oriented ontology (OOO), and new materialism - that take objects, things, stuff, and matter as primary. Object-oriented feminism approaches all objects from the inside-out position of being an object too, with all of its accompanying political and ethical potentials. This volume places OOF thought in a long history of ongoing feminist work in multiple disciplines. In particular, object-oriented feminism foregrounds three significant aspects of feminist thinking in the philosophy of things: politics, engaging with histories of treating certain humans (women, people of color, and the poor) as objects; erotics, employing humor to foment unseemly entanglements between things; and ethics, refusing to make grand philosophical truth claims, instead staking a modest ethical position that arrives at being "in the right" by being "wrong." Seeking not to define object-oriented feminism but rather to enact it, the volume is interdisciplinary in approach, with contributors from a variety of fields, including sociology, anthropology, English, art, and philosophy. Topics are frequently provocative, engaging a wide range of theorists from Heidegger and Levinas to Irigaray and Haraway, and an intriguing diverse array of objects, including the female body as fetish object in Lolita subculture; birds made queer by endocrine disruptors; and truth claims arising in material relations in indigenous fiction and film. Intentionally, each essay can be seen as an "object" in relation to others in this collection
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|a Description based on print version record.
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650 |
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|a Objekt
|g Philosophie
|2 gnd
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|a Feminismus
|2 gnd
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|a Object (Philosophy)
|2 fast
|0 (OCoLC)fst01042786
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650 |
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|a Feminist theory.
|2 fast
|0 (OCoLC)fst00922816
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650 |
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|a ART
|x Criticism & Theory.
|2 bisacsh
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650 |
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7 |
|a SOCIAL SCIENCE
|x Minority Studies.
|2 bisacsh
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650 |
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|a SOCIAL SCIENCE
|x Discrimination & Race Relations.
|2 bisacsh
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650 |
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|a Theorie feministe.
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650 |
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6 |
|a Objet (Philosophie)
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650 |
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0 |
|a Feminist theory.
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650 |
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|a Object (Philosophy)
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655 |
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|a Electronic books.
|2 local
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|a Behar, Katherine,
|d 1976-
|e editor.
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2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/48163/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2017 Complete
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945 |
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|a Project MUSE - 2017 Global Cultural Studies
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