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Corporate Romanticism : Liberalism, Justice, and the Novel /

Corporate Romanticism offers an alternative history of the connections between modernity, individualism, and the novel. In early nineteenth-century England, two developments-the rise of corporate persons and the expanded scale of industrial action-undermined the basic assumption underpinning both li...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stout, Daniel (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2016
Edición:First edition.
Colección:Lit z.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Corporate Romanticism :   |b Liberalism, Justice, and the Novel /   |c Daniel M. Stout. 
250 |a First edition. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2016 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2016 
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500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [231]-248) and index. 
505 0 |a Introduction : personification and its discontents -- 1. The pursuit of guilty things : corporate actors, collective actions, and romantic abstraction -- 2. The one and the manor : on being, doing, and deserving in Mansfield Park -- 3. Castes of exception : tradition and the public sphere in The private memoirs and confessions of a justified sinner -- 4. Nothing personal : the decapitations of character in A tale of two cities -- 5. Not world enough : easement, externality, and the edges of justice (Caleb Williams) -- Epilogue : everything counts (Frankenstein). 
506 |a Access restricted to authorized users and institutions. 
520 |a Corporate Romanticism offers an alternative history of the connections between modernity, individualism, and the novel. In early nineteenth-century England, two developments-the rise of corporate persons and the expanded scale of industrial action-undermined the basic assumption underpinning both liberalism and the law: that individual human persons can be meaningfully correlated with specific actions and particular effects. Reading works by Godwin, Austen, Hogg, Mary Shelley, and Dickens alongside a wide-ranging set of debates in nineteenth-century law and Romantic politics and aesthetics, Daniel Stout argues that the novel, a literary form long understood as a reflection of individualism's ideological ascent, in fact registered the fragile fictionality of accountable individuals in a period defined by corporate actors and expansively entangled fields of action. Examining how liberalism, the law, and the novel all wrestled with the moral implications of a highly collectivized and densely packed modernity, Corporate Romanticism reconfigures our sense of the nineteenth century and its novels, arguing that we see in them not simply the apotheosis of laissez-fair individualism but the first chapter of a crucial and distinctly modern problem about how to fit the individualist and humanist terms of justice onto a world in which the most consequential agents are no longer persons. 
588 |a Description based on print version record. 
650 0 |a English literature  |y 19th century  |x History and criticism. 
650 0 |a Liberalism in literature. 
650 0 |a Juristic persons 
650 0 |a Individualism in literature. 
650 0 |a Corporations in literature. 
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945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Literature