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Reichsrock : The International Web of White-Power and Neo-Nazi Hate Music /
Reichsrock shines a light on the international white-power music industry, the fandom it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck investigates how white-power bands and their fans have used the internet to spread their message worldwide, while closely examining dis...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, New Jersey :
Rutgers University Press,
[2016]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 035 | |a (OCoLC)958499038 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Dyck, Kirsten, |d 1983- |e author. | |
| 245 | 1 | 0 | |a Reichsrock : |b The International Web of White-Power and Neo-Nazi Hate Music / |c Kirsten Dyck. |
| 264 | 1 | |a New Brunswick, New Jersey : |b Rutgers University Press, |c [2016] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©[2016] | |
| 300 | |a 1 online resource (216 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Title; Copyright; Dedication; Contents; Acknowledgments; Chapter 1. What Is White-Power Music?; Chapter 2. The History of White-Power Music in Britain; Chapter 3. The History of White-Power Music in Continental Western Europe; Chapter 4. The History of White-Power Music in Eastern Europe; Chapter 5. The History of White-Power Music outside Europe; Chapter 6. Conclusion; Notes; Select Bibliography; Select Recordings Cited; Index; Untitled. | |
| 520 | |a Reichsrock shines a light on the international white-power music industry, the fandom it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck investigates how white-power bands and their fans have used the internet to spread their message worldwide, while closely examining distinctly local white-power scenes in the United States, England, Germany, Russia, Greece, and Latin America. Tracking the very real violence this music fandom has sparked, she sounds an urgent message about a global menace. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Hass |2 gnd | |
| 650 | 7 | |a Rockmusik |2 gnd | |
| 650 | 7 | |a Politisches Lied |2 gnd | |
| 650 | 7 | |a Punk Rock |2 gnd | |
| 650 | 7 | |a Rassismus |2 gnd | |
| 650 | 7 | |a Heavy Metal |2 gnd | |
| 650 | 7 | |a Rechtsradikalismus |2 gnd | |
| 650 | 7 | |a Soziale Situation |2 gnd | |
| 650 | 7 | |a White supremacy movements. |2 fast |0 (OCoLC)fst01174715 | |
| 650 | 7 | |a Neo-Nazism. |2 fast |0 (OCoLC)fst01035744 | |
| 650 | 7 | |a Hate groups. |2 fast |0 (OCoLC)fst00951883 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Punk. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
| 650 | 6 | |a Heavy metal (Musique) |x Aspect social. | |
| 650 | 6 | |a Heavy metal (Musique) |x Aspect politique. | |
| 650 | 6 | |a Punk (Musique) |x Aspect social. | |
| 650 | 6 | |a Punk (Musique) |x Aspect politique. | |
| 650 | 6 | |a Mouvements pour la suprematie blanche. | |
| 650 | 6 | |a Neonazisme. | |
| 650 | 6 | |a Groupes haineux. | |
| 650 | 0 | |a Heavy metal (Music) |x Social aspects. | |
| 650 | 0 | |a Heavy metal (Music) |x Political aspects. | |
| 650 | 0 | |a Punk rock music |x Social aspects. | |
| 650 | 0 | |a Punk rock music |x Political aspects. | |
| 650 | 0 | |a White supremacy movements. | |
| 650 | 0 | |a Neo-Nazism. | |
| 650 | 0 | |a Hate groups. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/48067/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2016 Complete | ||
| 945 | |a Project MUSE - 2016 Film, Theater and Performing Arts | ||