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Fugitive Testimony : On the Visual Logic of Slave Narratives /

"Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge t...

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Detalles Bibliográficos
Autor principal: Neary, Janet (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2017.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Neary, Janet,  |e author. 
245 1 0 |a Fugitive Testimony :   |b On the Visual Logic of Slave Narratives /   |c Janet Neary. 
264 1 |a New York :  |b Fordham University Press,  |c 2017. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2017. 
300 |a 1 online resource (248 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 |a Introduction : representational static -- Sight unseen : contemporary visual slave narratives -- Behind the scenes and inside out : Elizabeth Keckly's use of the slave narrative form -- Optical allusions: textual visuality in running a thousand miles for freedom -- "The shadow of the cloud" : racial speculation and cultural vision in Solomon Northup's Twelve years a slave -- Gestures against movements : Henry Box Brown and economies of narrative performance -- Epilogue : racial violence, racial capitalism, and reading revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker. 
505 0 |a "Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints." -- Provided by publisher. 
520 0 |a "Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints."--Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Slavery in art.  |2 fast  |0 (OCoLC)fst01120514 
650 7 |a Slave narratives.  |2 fast  |0 (OCoLC)fst01120401 
650 7 |a Semiotics and the arts.  |2 fast  |0 (OCoLC)fst01112371 
650 7 |a Art, Modern  |x Themes, motives.  |2 fast  |0 (OCoLC)fst00816663 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a POLITICAL SCIENCE  |x Public Policy  |x Cultural Policy.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x American  |x African American.  |2 bisacsh 
650 6 |a Art  |y 20e siecle  |x Themes, motifs. 
650 6 |a Semiotique et arts. 
650 6 |a Recits d'esclaves  |z États-Unis  |x Histoire et critique. 
650 0 |a Art, Modern  |y 20th century  |x Themes, motives. 
650 0 |a Semiotics and the arts. 
650 0 |a Slavery in art. 
650 0 |a Slave narratives  |z United States  |x History and criticism. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/47610/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Literature 
945 |a Project MUSE - 2016 American Studies