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160824s2017 nyu o 00 0 eng d |
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|a 9780823272938
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|z 0823272893
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|z 9780823272891
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|a (OCoLC)958551814
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Neary, Janet,
|e author.
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1 |
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|a Fugitive Testimony :
|b On the Visual Logic of Slave Narratives /
|c Janet Neary.
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|a New York :
|b Fordham University Press,
|c 2017.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©2017.
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300 |
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|a 1 online resource (248 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Introduction : representational static -- Sight unseen : contemporary visual slave narratives -- Behind the scenes and inside out : Elizabeth Keckly's use of the slave narrative form -- Optical allusions: textual visuality in running a thousand miles for freedom -- "The shadow of the cloud" : racial speculation and cultural vision in Solomon Northup's Twelve years a slave -- Gestures against movements : Henry Box Brown and economies of narrative performance -- Epilogue : racial violence, racial capitalism, and reading revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker.
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|a "Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints." -- Provided by publisher.
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|a "Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints."--Provided by publisher.
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|a Description based on print version record.
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650 |
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7 |
|a Slavery in art.
|2 fast
|0 (OCoLC)fst01120514
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650 |
|
7 |
|a Slave narratives.
|2 fast
|0 (OCoLC)fst01120401
|
650 |
|
7 |
|a Semiotics and the arts.
|2 fast
|0 (OCoLC)fst01112371
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650 |
|
7 |
|a Art, Modern
|x Themes, motives.
|2 fast
|0 (OCoLC)fst00816663
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650 |
|
7 |
|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
|
650 |
|
7 |
|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
|
650 |
|
7 |
|a LITERARY CRITICISM
|x American
|x African American.
|2 bisacsh
|
650 |
|
6 |
|a Art
|y 20e siecle
|x Themes, motifs.
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650 |
|
6 |
|a Semiotique et arts.
|
650 |
|
6 |
|a Recits d'esclaves
|z États-Unis
|x Histoire et critique.
|
650 |
|
0 |
|a Art, Modern
|y 20th century
|x Themes, motives.
|
650 |
|
0 |
|a Semiotics and the arts.
|
650 |
|
0 |
|a Slavery in art.
|
650 |
|
0 |
|a Slave narratives
|z United States
|x History and criticism.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
|
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|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/47610/
|
945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2016 Complete
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945 |
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|a Project MUSE - 2016 Literature
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945 |
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|a Project MUSE - 2016 American Studies
|