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160314t20162016nyu o 00 0 eng d |
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|a 9781501705915
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|z 9781501706462
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|z 9781501703140
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|a (OCoLC)956482282
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|a MdBmJHUP
|c MdBmJHUP
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|a Brokaw, Katherine Steele,
|d 1980-
|e author.
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|a Staging Harmony :
|b Music and Religious Change in Late Medieval and Early Modern English Drama /
|c Katherine Steele Brokaw.
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|a London :
|b Cornell University Press,
|c 2016.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©2016.
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|a 1 online resource (292 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Sacred, sensual, and social music: wisdom and the Digby Mary Magdalene -- Musical hypocrisy: the plays of John Bale -- Learning to sing: the plays of Nicholas Udall -- Propaganda and psalms: early Elizabethan drama -- Sound effects: Doctor Faustus -- Arts to enchant: The Tempest and The Winter's Tale.
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|a In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church's present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe's Doctor Faustus, Shakespeare's The Tempest and The Winter's Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager.
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|a In English.
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|a Description based on print version record.
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650 |
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7 |
|a Religion and drama.
|2 fast
|0 (OCoLC)fst01093827
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650 |
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|a Dramatic music.
|2 fast
|0 (OCoLC)fst00897546
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650 |
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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|a DRAMA
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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6 |
|a Religion et theâtre
|x Histoire
|y 16e siecle.
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650 |
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6 |
|a Musique de scene
|z Angleterre
|y 16e siecle
|x Histoire et critique.
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650 |
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0 |
|a Religion and drama
|x History
|y 16th century.
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650 |
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0 |
|a Dramatic music
|z England
|y 16th century
|x History and criticism.
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651 |
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7 |
|a England.
|2 fast
|0 (OCoLC)fst01219920
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655 |
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7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
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0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/47530/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2016 Complete
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945 |
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|a Project MUSE - 2016 History
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