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Disgust : Theory and History of a Strong Sensation /

"In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both...

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Detalles Bibliográficos
Autor principal: Menninghaus, Winfried
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: Albany : State University of New York Press, 2003.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Ekel.  |l English 
245 1 0 |a Disgust :   |b Theory and History of a Strong Sensation /   |c Winfried Menninghaus ; translated by Howard Eiland and Joel Golb. 
264 1 |a Albany :  |b State University of New York Press,  |c 2003. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2003. 
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490 0 |a Intersections 
505 0 |a Introduction: Between vomiting and laughing, base lines of a philosophy of disgust. -- The disgust taboo, and the omnipresence of disgust in aesthetic theory. -- Disgusting zones and disgusting times: the construction of the ideally beautiful body. -- "Strong vital sensation" and organon of philosophy: the judgment of disgust in Kant. -- Poetry of putrefaction: "beautiful disgust" and the pathology of the "romantic" -- The "no" of disgust and Nietzsche's "tragedy" of knowledge. -- The psychoanalysis of stinking: libido, disgust, and cultural development in Freud. -- The angel of disgust: Kafka's poetics of "innocent" enjoyment of "sulphurous" pleasures. -- Holy disgust (Bataille) and the sticky jelly of existence (Sartre) -- Abject mother (Kristeva), abject art, and the convergence of disgust, truth, and the real. 
520 1 |a "In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices: the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art.""--Jacket. 
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650 6 |a Esthetique  |y 19e siecle. 
650 6 |a Esthetique  |y 18e siecle. 
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650 6 |a Aversion dans l'art. 
650 6 |a Aversion. 
650 6 |a Émotions dans l'art. 
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650 0 |a Aversion. 
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