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Spiders of the Market : Ghanaian Trickster Performance in a Web of Neoliberalism /

The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, reve...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Donkor, David Afriyie (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2016
Colección:African expressive cultures.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Donkor, David Afriyie,  |e author. 
245 1 0 |a Spiders of the Market :   |b Ghanaian Trickster Performance in a Web of Neoliberalism /   |c David Afriyie Donkor. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2016 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2016 
300 |a 1 online resource (248 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a African expressive cultures 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 211-222) and index. 
505 0 |a Introduction -- 1. From state to market : the history of a social compact -- 2. Once upon a spider : Ananse and the counterhegemonic trickster ethos -- 3. Selling the president : stand-up comedy and the politricks of endorsement -- 4. Ma Red's maneuvers : popular theater and "progressive" culture -- 5. In the house of stories : village aspirations and heritage tourism -- Conclusion. 
506 |a Access restricted to authorized users and institutions. 
520 |a The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was completely successful, but Donkor shows how the Ghanaian government was crafty in selling the ideas to the people, adapting trickster-rooted performance techniques to reinterpret citizenship and the common good. Trickster performers rebelled against this takeover of their art and sought new ways to out trick the tricksters. 
588 |a Description based on print version record. 
650 0 |a Anansi (Legendary character) 
650 0 |a Tricksters in literature. 
650 0 |a Theater  |x Political aspects  |z Ghana. 
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710 2 |a Project Muse,  |e distributor. 
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710 2 |a Project Muse.  |e distributor 
830 0 |a African expressive cultures. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/46359/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Archaeology and Anthropology 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 African Studies