Spiders of the Market : Ghanaian Trickster Performance in a Web of Neoliberalism /
The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, reve...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Baltimore, Maryland :
Project Muse,
2016
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Colección: | African expressive cultures.
Book collections on Project MUSE. |
Temas: | |
Acceso en línea: | Texto completo |
MARC
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050 | 4 | |a PN2990.42 |b .D66 2016 | |
082 | 0 | |a 792.09667 |2 23 | |
100 | 1 | |a Donkor, David Afriyie, |e author. | |
245 | 1 | 0 | |a Spiders of the Market : |b Ghanaian Trickster Performance in a Web of Neoliberalism / |c David Afriyie Donkor. |
264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2016 | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (248 pages): |b illustrations. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a African expressive cultures | |
500 | |a Issued as part of book collections on Project MUSE. | ||
504 | |a Includes bibliographical references (pages 211-222) and index. | ||
505 | 0 | |a Introduction -- 1. From state to market : the history of a social compact -- 2. Once upon a spider : Ananse and the counterhegemonic trickster ethos -- 3. Selling the president : stand-up comedy and the politricks of endorsement -- 4. Ma Red's maneuvers : popular theater and "progressive" culture -- 5. In the house of stories : village aspirations and heritage tourism -- Conclusion. | |
506 | |a Access restricted to authorized users and institutions. | ||
520 | |a The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was completely successful, but Donkor shows how the Ghanaian government was crafty in selling the ideas to the people, adapting trickster-rooted performance techniques to reinterpret citizenship and the common good. Trickster performers rebelled against this takeover of their art and sought new ways to out trick the tricksters. | ||
588 | |a Description based on print version record. | ||
650 | 0 | |a Anansi (Legendary character) | |
650 | 0 | |a Tricksters in literature. | |
650 | 0 | |a Theater |x Political aspects |z Ghana. | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Project Muse, |e distributor. | |
776 | 1 | 8 | |i Print version: |z 9780253021342 |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a African expressive cultures. | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/46359/ |
945 | |a Project MUSE - Custom Collection | ||
945 | |a Project MUSE - 2016 Archaeology and Anthropology | ||
945 | |a Project MUSE - 2016 Complete | ||
945 | |a Project MUSE - 2016 African Studies |