Slapstick Modernism : Chaplin to Kerouac to Iggy Pop /

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Linking the literary, the lunatic, and the loud.

Detalles Bibliográficos
Autor principal: Solomon, William (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Silent films.
Motion pictures and literature.
Modernism (Literature)
Literature, Experimental.
American literature.
PERFORMING ARTS > Film & Video > History & Criticism.
LITERARY CRITICISM > American > General.
Cinema et litterature > États-Unis.
Films muets > États-Unis > Histoire et critique.
Litterature experimentale > États-Unis > Histoire et critique.
Litterature americaine > 20e siecle > Histoire et critique.
Motion pictures and literature > United States.
Silent films > United States > History and criticism.
Literature, Experimental > United States > History and criticism.
Modernism (Literature) > United States > History.
American literature > 20th century > History and criticism.
United States.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: the origins of slapstick modernism
  • 1920s. The work of art in the age of mechanical transportation
  • The politics and poetics of attraction I: Dos Passos
  • The politics and poetics of attraction II: Harold Lloyd's "thrill" films
  • Becoming-child: Harry Langdon
  • 1930s. The emergence of slapstick modernism
  • Theoretical interlude: Benjamin and the question concerning second technology
  • 1950s-1960s. The rise of slapstick modernism; or, the birth of the uncool.

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