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Against Immediacy : Video Art and Media Populism /
"Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which 'the people' were ideologically figured by the commercial mass media. During this time, artists...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover, New Hampshire :
Dartmouth College Press,
[2016]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 160502s2016 nhu o 00 0 eng d | ||
| 010 | |z 2016018348 | ||
| 020 | |a 9781611689464 | ||
| 020 | |z 1611689465 | ||
| 020 | |z 9781611689440 | ||
| 035 | |a (OCoLC)948669681 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Kaizen, William, |e author. | |
| 245 | 1 | 0 | |a Against Immediacy : |b Video Art and Media Populism / |c William Kaizen. |
| 264 | 1 | |a Hanover, New Hampshire : |b Dartmouth College Press, |c [2016] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©[2016] | |
| 300 | |a 1 online resource (232 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Interfaces, studies in visual culture | |
| 505 | 0 | |a Prelude: open circuits -- Participation television -- Talkback -- Video ecologies -- Coda: the apotheosis of video art. | |
| 520 | |a "Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which 'the people' were ideologically figured by the commercial mass media. During this time, artists and organizations including Nam June Paik, Juan Downey, and the Women's Video News Service challenged the existing limits of the one-to-many model of televisual broadcasting while simultaneously constructing more democratic, bottom-up models in which the people mediated themselves. Operating at the intersection between art history and media studies, Against Immediacy connects early video art and the rise of the media screen in gallery-based art to discussions about participation and the activation of the spectator in art and electronic media, moving from video art as an early form of democratic media practice to its canonization as a form of high art."--Publisher description. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Video art. |2 fast |0 (OCoLC)fst01166389 | |
| 650 | 7 | |a Television and art. |2 fast |0 (OCoLC)fst01146674 | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 6 | |a Television et art |z États-Unis |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Art video |z États-Unis |y 20e siecle. | |
| 650 | 0 | |a Television and art |z United States |x History |y 20th century. | |
| 650 | 0 | |a Video art |z United States |y 20th century. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/45796/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2016 Complete | ||
| 945 | |a Project MUSE - 2016 Film, Theater and Performing Arts | ||