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The Thought of Music /

"What, exactly, is knowledge of music? And what does it tell us about humanistic knowledge in general? The Thought of Music, completing a trilogy on musical understanding with Interpreting Music and Expression and Truth, grapples directly with these fundamental questions--questions especially c...

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Detalles Bibliográficos
Autor principal: Kramer, Lawrence, 1946- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kramer, Lawrence,  |d 1946-  |e author. 
245 1 4 |a The Thought of Music /   |c Lawrence Kramer. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (224 pages):   |b music 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Music and the forms of thought -- Speaking of music : in search of an idiom -- The ineffable and how (not) to say it -- Pleasure and valuation -- The cultural field : beyond context -- Virtuosity, reading, authorship : a genealogy -- The newer musicology? Collaboration in theory and practice -- Postscript : imagining the score. 
520 0 |a "What, exactly, is knowledge of music? And what does it tell us about humanistic knowledge in general? The Thought of Music, completing a trilogy on musical understanding with Interpreting Music and Expression and Truth, grapples directly with these fundamental questions--questions especially compelling at a time when humanistic knowledge is enmeshed in debates about its character and future. Lawrence Kramer seeks answers in both thought about music and thought in music--thinking in tones. He skillfully assesses musical scholarship in the aftermath of critical musicology and musical hermeneutics and in view of more recent concerns with embodiment, affect, and performance. This authoritative and timely work challenges the prevailing conceptions of every topic it addresses: language, context, and culture; pleasure and performance; and, through music, the foundations of understanding in the humanities."--Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Musicology.  |2 fast  |0 (OCoLC)fst01030893 
650 7 |a Music  |x Philosophy and aesthetics.  |2 fast  |0 (OCoLC)fst01030408 
650 7 |a Knowledge, Theory of.  |2 fast  |0 (OCoLC)fst00988194 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 7 |a epistemology.  |2 aat 
650 6 |a Theorie de la connaissance. 
650 6 |a Musicologie  |x Histoire et critique. 
650 6 |a Musique  |x Philosophie et esthetique. 
650 0 |a Knowledge, Theory of. 
650 0 |a Musicology  |x History and criticism. 
650 0 |a Music  |x Philosophy and aesthetics. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/45755/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts