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Stealing the Show : African American Performers and Audiences in 1930s Hollywood /

"Stealing the Show is a study of African American actors in Hollywood during the 1930s, a decade that saw the consolidation of stardom as a potent cultural and industrial force. Petty focuses on five performers whose Hollywood film careers flourished during this period--Louise Beavers, Fredi Wa...

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Detalles Bibliográficos
Autor principal: Petty, Miriam J. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Petty, Miriam J.,  |e author. 
245 1 0 |a Stealing the Show :   |b African American Performers and Audiences in 1930s Hollywood /   |c Miriam J. Petty. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (320 pages). 
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505 0 |a Introduction : stealing the show ... or the shoat? -- Hattie McDaniel : "landmark of an era" -- Bill Robinson and Black children's spectatorship : "every kid in colored America is his pal" -- Peola and Delilah : the perfect double act -- Stepin Fetchit steals the shoat : "problematic stardom" -- Conclusion : "time now to stop, actors." 
520 |a "Stealing the Show is a study of African American actors in Hollywood during the 1930s, a decade that saw the consolidation of stardom as a potent cultural and industrial force. Petty focuses on five performers whose Hollywood film careers flourished during this period--Louise Beavers, Fredi Washington, Lincoln 'Stepin Fetchit' Perry, Bill 'Bojangles' Robinson, and Hattie McDaniel--to reveal the 'problematic stardom' and the enduring, interdependent patterns of performance and spectatorship for performers and audiences of color. She maps how these actors--though regularly cast in stereotyped and marginalized roles--employed various strategies of cinematic and extracinematic performance to negotiate their complex positions in Hollywood and to ultimately 'steal the show.' Drawing on a variety of source materials, Petty explores these stars' reception among Black audiences and theorizes African American viewership in the early twentieth century. Her book is an important and welcome contribution to literature on the movies"--Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a African Americans in motion pictures.  |2 fast  |0 (OCoLC)fst00799733 
650 7 |a African American motion picture actors and actresses.  |2 fast  |0 (OCoLC)fst00799268 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Noirs americains au cinema. 
650 0 |a African Americans in motion pictures. 
650 0 |a African American motion picture actors and actresses  |z California  |z Los Angeles  |x History  |y 20th century. 
651 7 |a California  |z Los Angeles.  |2 fast  |0 (OCoLC)fst01204540 
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945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts 
945 |a Project MUSE - 2016 American Studies