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160418s2009 enk o 00 0 eng d |
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|a 9780861969166
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|z 9780861966967
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|a (OCoLC)966846099
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|a MdBmJHUP
|c MdBmJHUP
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| 245 |
0 |
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|a Film 1900 :
|b Technology, Perception, Culture /
|c edited by Annemone Ligensa and Klaus Kreimeier.
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| 264 |
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1 |
|a New Burnet, England :
|b John Libbey,
|c [2009]
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| 264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2017
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| 264 |
|
4 |
|c ©[2009]
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| 300 |
|
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|a 1 online resource (256 pages):
|b illustrations, maps
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
|
| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
0 |
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|a Current problems in neurology,
|x 0268-6252 ;
|v 9
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| 500 |
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|a "This collection is based on the conference 'New Paradigms of Perception: Changes in Media and Culture around 1900' held at the University of Siegen, Germany, in November 2006"--Page 248
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|a Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa -- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser -- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler -- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer -- Mind the gap: the discovery of physiological time / Henning Schmidgen -- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg -- The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz -- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen -- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller -- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- The attraction of motion: modern representation and the image of movement / Tom Gunning -- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier -- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa -- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
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| 588 |
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|a Description based on print version record.
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| 650 |
0 |
7 |
|a Film.
|2 swd
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| 650 |
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7 |
|a Stumfilm.
|2 sfit
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| 650 |
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7 |
|a Pre-cinema.
|2 sfit
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| 650 |
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7 |
|a Film
|x historia
|y 1900-talet.
|2 sao
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| 650 |
|
7 |
|a Stumfilm
|x historia
|y 1900-talet.
|2 sao
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| 650 |
|
7 |
|a Filmtechnik
|2 gnd
|
| 650 |
|
7 |
|a Film
|2 gnd
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| 650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
| 650 |
|
6 |
|a Cinema
|x Histoire
|y 20e siecle.
|
| 650 |
|
0 |
|a Motion pictures
|x History
|y 20th century.
|
| 655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
| 655 |
|
4 |
|a Aufsatzsammlung.
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 700 |
1 |
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|a Ligensa, Annemone,
|e editor.
|
| 700 |
1 |
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|a Kreimeier, Klaus,
|e editor.
|
| 710 |
2 |
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|a Project Muse.
|e distributor
|
| 830 |
|
0 |
|a Book collections on Project MUSE.
|
| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/45611/
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| 945 |
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|a Project MUSE - Custom Collection
|
| 945 |
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|a Project MUSE - Archive Complete Supplement V
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| 945 |
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement V
|
