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151125s2016 miu o 00 0 eng d |
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|z 2020707416
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|a 9780472121649
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|z 0472121642
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|z 9780472902378
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|z 0472119753
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|z 9780472119752
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|a (OCoLC)948511711
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Graham, Stephen
|c (Musicologist),
|e author.
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1 |
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|a Sounds of the Underground :
|b A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music /
|c Stephen Graham.
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264 |
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1 |
|a Ann Arbor :
|b University of Michigan Press,
|c [2016]
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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264 |
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|c ©[2016]
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300 |
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|a 1 online resource (328 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Tracking pop
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|a Preface; Part I-What Is the Underground?; 1. Introduction to the Underground and Its Fringes; 2. The Music and Musicians; 3. Global and Local Underground/Fringe Scenes; Part II-The Political and Cultural Underground; 4. Politics and Underground/Fringe Music; 5. Cultural Policy and Underground/Fringe Music; 6. Artists and Music, Improv and Noise; 7. The Digital Economy and Labels; 8. Festivals and Venues; Part III-Listening to the Underground; 9. Noise as Concept, History, and Scene; 10. The Politics of Underground Music and Noise; 11. The Sounds of Noise; 12. Extreme Metal
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505 |
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|a ConclusionList of Interviewees; Notes; Bibliography; Index
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506 |
0 |
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|a Open Access
|f Unrestricted online access
|2 star
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520 |
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|a In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy.
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|a Description based on print version record.
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650 |
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7 |
|a Underground music.
|2 fast
|0 (OCoLC)fst01938521
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650 |
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7 |
|a Subculture.
|2 fast
|0 (OCoLC)fst01136426
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650 |
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7 |
|a MUSIC
|x General.
|2 bisacsh
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650 |
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7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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650 |
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|a Subculture.
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650 |
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6 |
|a Musique underground
|x Histoire et critique.
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650 |
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6 |
|a Musique underground
|x Aspect politique.
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650 |
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6 |
|a Musique underground
|x Aspect social.
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650 |
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0 |
|a Subculture.
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650 |
|
0 |
|a Underground music
|x History and criticism.
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650 |
|
0 |
|a Underground music
|x Political aspects.
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650 |
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0 |
|a Underground music
|x Social aspects.
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655 |
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7 |
|a Theses et ecrits academiques.
|2 rvmgf
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655 |
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7 |
|a Academic theses.
|2 lcgft
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
|
7 |
|a Academic theses.
|2 fast
|0 (OCoLC)fst01726453
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655 |
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2 |
|a Academic Dissertation
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/45553/
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945 |
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|a Project MUSE - 2016 Complete
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945 |
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|a Project MUSE - 2016 Film, Theater and Performing Arts
|