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160331s2016 nju o 00 0 eng d |
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|a (OCoLC)945735852
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|a MdBmJHUP
|c MdBmJHUP
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|a Thinking in the Dark :
|b Cinema, Theory, Practice /
|c edited by Murray Pomerance and R. Barton Palmer.
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|a New Brunswick, New Jersey :
|b Rutgers University Press,
|c [2016]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©[2016]
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|a 1 online resource (320 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|g Introduction /
|r R. Barton Palmer and Murray Pomerance --
|t Hugo Münsterberg: Psychologizing spectatorship between laboratory and theater /
|r Jeremy Blatter --
|t Vachel Lindsay : theory of movie hieroglyphics /
|r Tom Gunning --
|t Bela Balázs : film aesthetics and the rituals of romance /
|r Steven Woodward -- Siegfried Kracauer : the politics of film theory and criticism /
|r Johannes von Moltke --
|t Walter Benjamin : afterimages of the aura /
|r Colin Williamson --
|t Jean Epstein : Cinema's encounter with modern life /
|r Sarah Keller --
|t Sergei Eisenstein : Attractions / montage / animation /
|r Matthew Solomon --
|t Jacques Lacan : giving all the right signs /
|r Dominic Lennard --
|t Rudolf Arnheim : cinema and partial illusion /
|r Nathan Holmes --
|t Roland Barthes : what films show us and what they mean /
|r William Brown --
|t Jean Rouch : the camera as provocateur /
|r William Rothman --
|t Andre Bazin : dark passage into the mystery of being /
|r Dudley Andrew --
|t Gilles Deleuze : on movement, time and modernism /
|r Will Scheibel --
|t Stanley Cavell : the contingencies of film and its theory /
|r Daniel Morgan --
|t Michel Foucault : murmur and meditation /
|r Tom Conley --
|t Jean Douchet : La Politique Hitchcockienne /
|r R. Barton Palmer --
|t Christian Metz : dreaming a language in cinema /
|r Steven Rybin -- V.F. Perkins : aesthetic suspense /
|r Alex Clayton --
|t Jacques Ranciere : equality and aesthetics /
|r Gilberto Perez --
|t Michel Chion : listening to cinema /
|r Jonah Corne --
|t Judith Butler : sex, gender, and subject formation /
|r Kristen Hatch --
|g Works cited --
|g Notes on contributors --
|g Index.
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|a Thinking in the Dark introduces readers to twenty-one key theorists whose work has made the greatest impact on film scholarship today, including everyone from Sergei Eisenstein to Michel Foucault, from Judith Butler to Andre Bazin. Each chapter is written by an expert who explains a different theorist's key ideas, then gives concrete examples of how they might be applied to both a classic film and a contemporary one. Ideal for teachers and students of film as well as contemporary and modern philosophy, critical theory and semotics, also of interest to the general reader exploring such topics.
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|a Description based on print version record.
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650 |
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7 |
|a Motion pictures
|x Philosophy.
|2 fast
|0 (OCoLC)fst01027348
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|a Film critics.
|2 fast
|0 (OCoLC)fst00924264
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650 |
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|a Film criticism.
|2 fast
|0 (OCoLC)fst00924259
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650 |
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|a PHILOSOPHY
|x Movements
|x Critical Theory.
|2 bisacsh
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Critiques de cinema.
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650 |
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|a Critique cinematographique.
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650 |
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|a Motion pictures
|x Philosophy.
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650 |
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|a Film critics.
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650 |
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|a Film criticism.
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655 |
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7 |
|a Electronic books.
|2 local
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|a Palmer, R. Barton,
|d 1946-
|e editor.
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|a Pomerance, Murray,
|d 1946-
|e editor.
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/45324/
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|a Project MUSE - Custom Collection
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|a Project MUSE - 2016 Complete
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945 |
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|a Project MUSE - 2016 Film, Theater and Performing Arts
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