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Jazzing : New York City's Unseen Scene /

"How do we speak about jazz? In this provocative study based on the author's deep immersion in the New York City jazz scene, Tom Greenland turns from the usual emphasis on artists and their music to focus on non-performing participants, describing them as active performers in their own rig...

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Detalles Bibliográficos
Autor principal: Greenland, Thomas H., 1961- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Greenland, Thomas H.,  |d 1961-  |e author. 
245 1 0 |a Jazzing :   |b New York City's Unseen Scene /   |c Thomas H. Greenland. 
264 1 |a Urbana :  |b University of Illinois Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2016. 
300 |a 1 online resource (272 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Music in American life 
505 0 |a Listening to jazz -- Developing "big ears" : jazz fans -- Making the scene : fan communities -- Providing a place and time : jazz presenters -- Jazz jobbing : music professionals -- Hear and now : collective improvisation and spiritual synergy. 
520 |a "How do we speak about jazz? In this provocative study based on the author's deep immersion in the New York City jazz scene, Tom Greenland turns from the usual emphasis on artists and their music to focus on non-performing participants, describing them as active performers in their own right who witness and thus collaborate in a happening made one-of-a-kind by improvisation, mood, and moment. Jazzing shines a spotlight on the constituency of proprietors, booking agents, photographers, critics, publicists, painters, amateur musicians, fans, friends, and tourists that makes up New York City's contemporary jazz scene. Drawn from deep ethnographic research, interviews, and long term participant observation, Jazzing charts the ways New York's distinctive physical and social-cultural environment affects and is affected by jazz. Throughout, Greenland offers a passionate argument in favor of a radically inclusive conception of music-making, one in which individuals collectively improvise across social contexts to co-create community and musical meaning. An odyssey through the clubs and other performance spaces on and off the beaten track, Jazzing is an insider's view of a vibrant urban art world."--Publisher description 
588 |a Description based on print version record. 
650 7 |a Jazz  |x Social aspects.  |2 fast  |0 (OCoLC)fst00982185 
650 7 |a Jazz.  |2 fast  |0 (OCoLC)fst00982165 
650 7 |a HISTORY  |z United States  |x State & Local  |x New England (CT, MA, ME, NH, RI, VT)  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 0 |a Jazz  |x Social aspects  |z New York (State)  |z New York. 
650 0 |a Jazz  |z New York (State)  |z New York  |x History and criticism. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/45294/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 US Regional Studies, New England and Mid Atlantic