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Recognizing Music as an Art Form : Friedrich Th. Vischer and German Music Criticism, 1848-1887 /
Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2016
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Preface
- Part I. The hegemony of idealist philosophy
- one. Thinking about art
- two. Thinking about music
- Part II. Between subjectivity and objectivity
- three. The bird among the arts
- four. The end of art
- Part III. Case studies
- five. Musical forms as 'spiritualized material' : repositioning Eduard Hanslick
- six. Programme music : Franz Liszt's negotiation of Hegelian aesthetics
- seven. Furthering a 'new form of consciousness' : Franz Brendel's concept of a new German school
- eight. The advance of musical scholarship
- Appendix I. Hegelian glossary
- Appendix II. Editions and translations
- Appendix III. Manuscript sources
- Appendix IV. Music criticism and idealist discourse
- Appendix V. References to Vischer in music periodicals and treatises