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Designing Sound : Audiovisual Aesthetics in 1970s American Cinema /

Designing Sound demonstrates how Francis Ford Coppola, Robert Altman, and other groundbreaking American directors of the 1970s possessed not only visionary eyes, but also keen ears that enabled them to take cinematic sound design in innovative directions. Offering detailed case studies of key films...

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Detalles Bibliográficos
Autor principal: Beck, Jay, 1966- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Rutgers University Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Beck, Jay,  |d 1966-  |e author. 
245 1 0 |a Designing Sound :   |b Audiovisual Aesthetics in 1970s American Cinema /   |c Jay Beck. 
264 1 |a London :  |b Rutgers University Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (274 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Techniques of the moving image 
505 0 |a Introduction: the state of the art -- Part 1. General trends (1965-1971) -- The British invasion -- TV and documentary's influence on sound aesthetics -- new voices and personal sound aesthetics: 1970-71 -- Part 2. Director case studies (1968-1976) Francis Ford Coppola: American Zoetrope and collective filmmaking -- Robert Altman's collaborative sound work -- Martin Scorsese's dialectical sound -- -- The Dolby stereo era (1975-1980) -- The sound of music: dolby stereo and music in the new American cinema -- The sound of spectacle: Dolby stereo and the new classicism -- The sound of storytelling: Dolby stereo and the art of sound design. 
520 |a Designing Sound demonstrates how Francis Ford Coppola, Robert Altman, and other groundbreaking American directors of the 1970s possessed not only visionary eyes, but also keen ears that enabled them to take cinematic sound design in innovative directions. Offering detailed case studies of key films and filmmakers, Jay Beck explores how sound design was central to the era's experimentation with new modes of cinematic storytelling and aesthetic sensibilities, from the lyricism of Terrence Malick to the gritty realism of Martin Scorsese. 
588 |a Description based on print version record. 
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650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Cinema  |x Production et realisation  |z États-Unis  |x Histoire  |y 20e siecle. 
650 6 |a Films sonores. 
650 0 |a Motion pictures  |x Production and direction  |z United States  |x History  |y 20th century. 
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945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts