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Extreme Cinema : The Transgressive Rhetoric of Today's Art Film Culture /
From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Extreme Cinema draws from interviews with film festival programmers, distributors, critics, and directors to demonstrate...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, New Jersey :
Rutgers University Press,
[2016]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Frey, Mattias, |e author. | |
| 245 | 1 | 0 | |a Extreme Cinema : |b The Transgressive Rhetoric of Today's Art Film Culture / |c Mattias Frey. |
| 264 | 1 | |a New Brunswick, New Jersey : |b Rutgers University Press, |c [2016] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©[2016] | |
| 300 | |a 1 online resource (280 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Transgression and distinction: filmmaker discourses -- The aesthetic embrace and the cynicism criticism: reception discourses -- The rhetoric and role of film festivals -- Discourses and modes of distribution -- The interpretations of regulation -- The added value of international distribution -- Sex, violence, and self-exoticization -- Aesthetic innovation and the real: academic debate over sexually graphic art films -- A discursive approach to hardcore art cinema -- Afterword. | |
| 520 | |a From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Extreme Cinema draws from interviews with film festival programmers, distributors, critics, and directors to demonstrate how these seemingly transgressive films actually operate within a strict set of codes and conventions, translating global notoriety into success within a competitive marketplace, and perpetuating a system that runs on provocation. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 650 | 7 | |a Film history, theory & criticism. |2 thema | |
| 650 | 7 | |a Human rights, civil rights. |2 thema | |
| 650 | 7 | |a Violence in society. |2 thema | |
| 650 | 7 | |a Media studies. |2 thema | |
| 650 | 7 | |a Films, cinema. |2 thema | |
| 650 | 7 | |a Motion pictures |x Production and direction. |2 fast |0 (OCoLC)fst01027357 | |
| 650 | 7 | |a Motion picture industry |x Marketing. |2 fast |0 (OCoLC)fst01027176 | |
| 650 | 7 | |a Experimental films. |2 fast |0 (OCoLC)fst00918452 | |
| 650 | 7 | |a Art in motion pictures. |2 fast |0 (OCoLC)fst00815568 | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Art au cinema. | |
| 650 | 6 | |a Cinema |x Production et realisation. | |
| 650 | 0 | |a Motion picture industry |x Marketing. | |
| 650 | 0 | |a Experimental films. | |
| 650 | 0 | |a Art in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/45059/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2016 Complete | ||
| 945 | |a Project MUSE - 2016 Film, Theater and Performing Arts | ||