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Religion, Art, and Money : Episcopalians and American Culture from the Civil War to the Great Depression /

This is cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialist...

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Detalles Bibliográficos
Autor principal: Williams, Peter W. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : The University of North Carolina Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Williams, Peter W.,  |e author. 
245 1 0 |a Religion, Art, and Money :   |b Episcopalians and American Culture from the Civil War to the Great Depression /   |c Peter W. Williams. 
264 1 |a Chapel Hill :  |b The University of North Carolina Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (296 pages). 
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505 0 |a Introduction. Three ways of looking at an Episcopalian -- Churches -- Phillips Brooks and Trinity Church : symbols for an age -- The Gothic revival and the arts and crafts movement -- The great American cathedrals -- Gospels -- The social gospel -- The gospel of education -- The gospel of wealth and the gospel of art -- Epilogue. The irony of American Episcopal history. 
520 |a This is cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialists and financiers, left a deep and lasting mark on American urban culture. Their sense of public responsibility derived from a sacramental theology that gave credit to the material realm as a vehicle for religious experience and moral formation, and they came to be distinguished by their participation in major aesthetic and social welfare endeavors. Williams traces how the church helped transmit a European-inflected artistic patronage that was adapted to the American scene by clergy and laity intent upon providing moral and aesthetic leadership for a society in flux. Episcopalian influence is most visible today in the churches, cathedrals, and elite boarding schools that stand in many cities and other locations, but Episcopalians also provided major support to the formation of stellar art collections, the performing arts, and the Arts and Crafts movement. Williams argues that Episcopalians thus helped smooth the way for acceptance of materiality in religious culture in a previously iconoclastic, Puritan-influenced society. 
588 |a Description based on print version record. 
610 2 7 |a Episcopal Church.  |2 fast  |0 (OCoLC)fst00533119 
610 2 0 |a Episcopal Church  |x Influence. 
610 2 0 |a Episcopal Church  |x History  |y 20th century. 
610 2 0 |a Episcopal Church  |x History  |y 19th century. 
650 7 |a Influence (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00972484 
650 7 |a Episcopalians.  |2 fast  |0 (OCoLC)fst00914304 
650 7 |a RELIGION  |x Christianity  |x Episcopalian.  |2 bisacsh 
650 7 |a RELIGION  |x Christianity  |x Anglican.  |2 bisacsh 
650 6 |a Épiscopaliens  |z États-Unis  |x Histoire  |y 20e siecle. 
650 6 |a Épiscopaliens  |z États-Unis  |x Histoire  |y 19e siecle. 
650 0 |a Episcopalians  |z United States  |x History  |y 20th century. 
650 0 |a Episcopalians  |z United States  |x History  |y 19th century. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 6 |a États-Unis  |x Histoire religieuse  |y 20e siecle. 
651 6 |a États-Unis  |x Histoire religieuse  |y 19e siecle. 
651 0 |a United States  |x Church history  |y 20th century. 
651 0 |a United States  |x Church history  |y 19th century. 
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655 7 |a Church history.  |2 fast  |0 (OCoLC)fst01411629 
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945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Philosophy and Religion