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A Preface to Chaucer : Studies in Medieval Perspective

What were the medieval stylistic, aesthetic, and literary conventions that Chancer drew upon and knew that his audience would understand? In this rich study Mr. Robertson has included 118 illustrations-of medieval sculpture, cathedral interiors, illuminated manuscripts, paintings, ornamental devices...

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Detalles Bibliográficos
Autor principal: Robertson, D. W., Jr. (Durant Waite), 1914-1992
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, 1962.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Robertson, D. W.,  |c Jr.  |q (Durant Waite),  |d 1914-1992. 
245 1 2 |a A Preface to Chaucer :   |b Studies in Medieval Perspective 
264 1 |a Princeton, N.J. :  |b Princeton University Press,  |c 1962. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©1962. 
300 |a 1 online resource (630 pages):   |b illustrations, facsimiles 
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490 0 |a Princeton Legacy Library 
505 0 0 |t Frontmatter --  |t Preface --  |t Contents --  |t Illustrations --  |t I. Introduction: Medieval and Modern Art --  |t II. Some Principles of Medieval Aesthetics --  |t III. Late Medieval Style --  |t IV. Allegory, Humanism, and Literary Theory --  |t V. Some Medieval Doctrines of Love --  |t Index --  |t Plates 
520 |a What were the medieval stylistic, aesthetic, and literary conventions that Chancer drew upon and knew that his audience would understand? In this rich study Mr. Robertson has included 118 illustrations-of medieval sculpture, cathedral interiors, illuminated manuscripts, paintings, ornamental devices and decorations-to show how these conventions affected the visual arts of Chaucer's time. Special attention is directed to fundamental differences between medieval and modern attitudes toward poetry, and to the significance of these differences for an approach to medieval art. By placing Chaucer fully in his own time, Mr. Robertson establishes new perspectives for understanding Chaucer's poetry. His book is like a rich tapestry weaving together many threads. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
588 |a Description based on print version record. 
600 1 7 |a Chaucer, Geoffrey.  |2 swd 
600 1 7 |a Chaucer, Geoffrey  |d 1343-1400  |2 gnd 
600 1 7 |a Chaucer, Geoffrey,  |d -1400.  |2 fast  |0 (OCoLC)fst01812213 
600 1 6 |a Chaucer, Geoffrey,  |d approximately 1340-1400  |x Critique et interpretation. 
600 1 1 |a Chaucer, Geoffrey,  |d -1400  |x Criticism and interpretation. 
600 1 0 |a Chaucer, Geoffrey,  |d -1400  |x Criticism and interpretation. 
650 1 7 |a Gedichten.  |2 gtt 
650 7 |a Civilization, Medieval, in literature.  |2 fast  |0 (OCoLC)fst00863071 
650 7 |a FICTION  |x Classics.  |2 bisacsh 
650 7 |a POETRY  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 6 |a Civilisation medievale dans la litterature. 
650 6 |a Litterature medievale. 
650 6 |a Art medieval. 
650 2 |a Literature, Medieval 
650 0 |a Literature, Medieval. 
650 0 |a Art, Medieval. 
650 0 |a Civilization, Medieval, in literature. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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