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Yonfan's Bugis Street /

Bugis Street was famous (or notorious) for being a haunt of transgender prostitution in the early decades of postcolonial Singapore. Since then the site has been a source of touristic obsession and local cultural anxiety. In his 1995 film Bugis Street, director Yonfan brings the short lane back to v...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Chan, Kenneth (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2016
Colección:New Hong Kong cinema.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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050 4 |a PN1997.B799  |b C539 2015 
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100 1 |a Chan, Kenneth,  |e author. 
245 1 0 |a Yonfan's Bugis Street /   |c Kenneth Chan. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2016 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2016 
300 |a 1 online resource (188 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a New Hong Kong cinema series 
500 |a "Yonfan's filmography": page [157]. 
504 |a Includes filmography (pages [159]-161) and bibliographical references (pages [163]-173). 
505 0 |a Introduction : Bugis Street as historical-political-cultural discourse -- 1. Bugis Street as pop cultural archive -- 2. Bugis Street as sexuality on screen -- 3. Bugis Street as transnational queer cinema -- 4. Bugis Street as queer space and time -- Conclusion : Bugis Street as un-community. 
506 |a Access restricted to authorized users and institutions. 
520 |a Bugis Street was famous (or notorious) for being a haunt of transgender prostitution in the early decades of postcolonial Singapore. Since then the site has been a source of touristic obsession and local cultural anxiety. In his 1995 film Bugis Street, director Yonfan brings the short lane back to vivid cinematic life. By focusing on the film's representations of queer sexualities and transgender experience, this book contends that the under-appreciated Bugis Street is a significant instance of queer transnational cinema. The film's playful yet nuanced articulations of queer embodiment, spatiality, and temporality provide an unexpected intervention in the public discourses on LGBT politics, activism, and cultures in Singapore today. This book's arrival at a much more complicated and contradictory picture of the discursive Bugis Street, through the examination of Yonfan's film and a range of other cultural and literary texts, adds a new critical dimension to the ongoing historical, geographical, sociological, ethnographic, and artistic analyses of this controversial space. 
588 |a Description based on print version record. 
600 1 0 |a Yang, Fan,  |d 1947-  |x Criticism and interpretation. 
630 0 0 |a Bugis Street (Motion picture)  |x History and criticism. 
650 0 |a Prostitution in motion pictures. 
650 0 |a Transsexuals in motion pictures. 
651 0 |a Bugis Street (Singapore)  |x History. 
651 0 |a Singapore  |x In motion pictures. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789888208760 
710 2 |a Project Muse.  |e distributor 
830 0 |a New Hong Kong cinema. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/44261/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts