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Sounds So Good to Me : The Bluesman's Story /

The roots of much American music lie in the intensely personal art form of the blues. What bluesmen from W.C. Handy to B.B. King have told us about their lives has shaped America's perception of the blues. These life stories provide central insights into blues music and stand as a fascinating f...

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Detalles Bibliográficos
Autor principal: Pearson, Barry Lee
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, 1984.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781512818369 
020 |z 9780812211719 
035 |a (OCoLC)966885190 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Pearson, Barry Lee. 
245 1 0 |a Sounds So Good to Me :   |b The Bluesman's Story /   |c Barry Lee Pearson. 
264 1 |a Philadelphia :  |b University of Pennsylvania Press,  |c 1984. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©1984. 
300 |a 1 online resource (208 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover; Contents; Illustrations; Preface; 1. Johnny Young's Story; 2. David "Honeyboy" Edwards' Story; 3. "You Know What You're Going to Get Now? Interviews!"; 4. ""I'm Gonna Get Me a Guitar If It's the Last Thing I Do""; 5. "They Used to Say It Was the Devil's Music"; 6. "Sounds So Good to Me"; 7. The Wages of Sinful Music; 8. "Wasn't Only My Songs, They Got My Music Too"; 9. "Well, That's It, That's My Life Story"; 10. "I've Had Hard Luck, But It Will Change Some Day"; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y 
520 |a The roots of much American music lie in the intensely personal art form of the blues. What bluesmen from W.C. Handy to B.B. King have told us about their lives has shaped America's perception of the blues. These life stories provide central insights into blues music and stand as a fascinating form of narrative in their own right.Barry Lee Pearson has conducted dozens of field interviews and collected over a hundred published autobiographies to present this collective portrait of bluesmen's careers as they themselves tell them: their musical learning, communities, work, pleasures, travels, triumphs, and crises. 
588 |a Description based on print version record. 
650 1 7 |a Blues.  |2 gtt 
650 7 |a Autobiografie  |2 gnd 
650 7 |a Bluesmusiker  |2 gnd 
650 7 |a Musicians.  |2 fast  |0 (OCoLC)fst01030837 
650 7 |a Blues (Music)  |2 fast  |0 (OCoLC)fst00835056 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Band & Orchestra.  |2 bisacsh 
650 7 |a MUSIC  |x Musical Instruments  |x General.  |2 bisacsh 
650 6 |a Musiciens  |z États-Unis  |v Entretiens. 
650 0 |a Musicians  |z United States  |v Interviews. 
650 0 |a Blues (Music)  |x History and criticism. 
651 7 |a USA  |2 gnd 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Interviews.  |2 fast  |0 (OCoLC)fst01423832 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/44234/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement V 
945 |a Project MUSE - Archive Global Cultural Studies Supplement V