The Strange Career of Porgy and Bess : Race, Culture, and America's Most Famous Opera

Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935. Ellen Noonan examines the opera's long history of invention and reinvention as a barometer of twentieth-century American expectat...

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Detalles Bibliográficos
Autor principal: Noonan, Ellen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : The University of North Carolina Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Gershwin, George > 1898-1937 > Porgy and Bess
Gershwin, George, > 1898-1937. > Porgy and Bess.
Heyward, DuBose, > 1885-1940. > Porgy.
Heyward, DuBose, > 1885-1940. > Porgy and Bess.
Porgy and Bess (Heyward, DuBose)
Porgy and Bess (Gershwin, George)
Rasrelationer i operan.
Ethnische Identität
Race relations.
Race in opera.
Music and race.
African Americans in popular culture.
PERFORMING ARTS > Theater > History & Criticism.
MUSIC > Printed Music > Opera & Classical Scores.
MUSIC > Genres & Styles > Opera.
Noirs americains dans la culture populaire > 20e siecle.
Race à l'opera.
Musique et race.
African Americans in popular culture > 20th century.
USA.
South Carolina > Charleston.
Charleston (S.C.) > Race relations.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • A romance of Negro life : Porgy, 1925
  • Interlude : Charleston, 1680-1900
  • A chocolate-covered lithograph strip : Porgy, 1927
  • Interlude : Charleston, 1920 -1940
  • Gershwin's idea of what a Negro opera should be : Porgy and Bess, 1935
  • Neither the measure of America nor that of the Negro : Porgy and Bess, 1952-1956
  • Interlude : Charleston, 1940-1960
  • Forget any version you may have seen before : Porgy and Bess, 1959-2012
  • Epilogue : Charleston, 1970-2005.

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