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Censoring Racial Ridicule : Irish, Jewish, and African American Struggles over Race and Representation, 1890-1930 /

A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative s...

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Detalles Bibliográficos
Autor principal: Kibler, M. Alison (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill [North Carolina] : The University of North Carolina Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kibler, M. Alison,  |e author. 
245 1 0 |a Censoring Racial Ridicule :   |b Irish, Jewish, and African American Struggles over Race and Representation, 1890-1930 /   |c M. Alison Kibler. 
264 1 |a Chapel Hill [North Carolina] :  |b The University of North Carolina Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2015] 
300 |a 1 online resource (328 pages). 
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505 0 |a Introduction -- The minstrel show and the melee: Irish, Jewish, and African Americans in popular culture and politics -- Practical censorship: Irish American theater riots -- Immoral ... in the broad sense: censoring racial ridicule in legitimate theater -- Shylock and Sambo censored: Jewish and African American campaigns for race-based motion picture censorship -- Are the Hebrews to have a censor?: Jewish censors in Chicago -- Without fear or favor: free-speech advocates confront race-based -- Censorship -- Conclusion. 
520 |a A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. 
588 |a Description based on print version record. 
650 7 |a Zensur  |2 gnd 
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650 7 |a Theater and society.  |2 fast  |0 (OCoLC)fst01149315 
650 7 |a Stereotypes (Social psychology) in motion pictures.  |2 fast  |0 (OCoLC)fst01431527 
650 7 |a Racism in popular culture.  |2 fast  |0 (OCoLC)fst01086660 
650 7 |a Racism and the arts.  |2 fast  |0 (OCoLC)fst01086649 
650 7 |a Ethnic relations.  |2 fast  |0 (OCoLC)fst00916005 
650 7 |a HISTORY  |x Modern  |y 20th Century.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Minority Studies.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Discrimination & Race Relations.  |2 bisacsh 
650 6 |a Racisme dans la culture populaire  |z États-Unis  |x Histoire  |y 19e siecle. 
650 6 |a Theâtre et societe  |z États-Unis  |x Histoire  |y 20e siecle. 
650 6 |a Theâtre et societe  |z États-Unis  |x Histoire  |y 19e siecle. 
650 6 |a Stereotypes au cinema. 
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650 6 |a Racisme et arts  |z États-Unis  |x Histoire  |y 19e siecle. 
650 0 |a Racism in popular culture  |z United States  |x History  |y 19th century. 
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