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Stop Reading! Look! : Modern Vision and the Weimar Photographic Book /

In the second half of the Weimar period (1918-33), photographers produced books consisting almost entirely of sequenced images. The subjects ranged widely: from plants and nature to the modern metropolis, from exotic cultures to the German Volk, from anonymous workers to historical figures. While ma...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stetler, Pepper
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2015
Colección:Social history, popular culture, and politics in Germany.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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490 0 |a Social history, popular culture, and politics in Germany 
500 |a Revision of the author's thesis (Ph. D.--University of Delaware, 2009) under the title: Bound vision : reading the photographic book in the Weimar Republic. 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 223-234) and index. 
505 0 |a Introduction : how to read a photographic book -- Visualizing the book : László Moholy-Nagy's Malerei Photographie Film -- The value of photography : Albert Renger-Patzsch's Die Welt ist schön -- Natural history : Karl Blossfeldt's Urformen der Kunst -- Facing the photographic book : Helmar Lerski's Köpfe des Alltags -- Conclusion : after the Weimar photographic book. 
506 |a Access restricted to authorized users and institutions. 
520 0 |a In the second half of the Weimar period (1918-33), photographers produced books consisting almost entirely of sequenced images. The subjects ranged widely: from plants and nature to the modern metropolis, from exotic cultures to the German Volk, from anonymous workers to historical figures. While many of the books were created by key practitioners and theorists of modern photography, scholars have rarely addressed the significance of the book format to modern conceptions of photographic meaning. The term "photo-essay" implies that these photographic books were equivalent to literary endeavors, created by replacing text with images, but such assumptions fail to explore the motivations of the books' makers. Stop Reading! Look! argues that Weimar photographic books stood at the center of debates about photography's ability to provide uniquely visual forms of perception and cognition that exceed the capacity of the textual realm. Each chapter provides a sustained analysis of a photographic book, while also bringing the cultural, social, and political context of the Weimar Republic to bear on its relevance and meaning. 
588 |a Description based on print version record. 
650 0 |a Photography  |z Germany  |x History  |y 20th century. 
651 0 |a Germany  |x History  |y 1918-1933. 
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830 0 |a Social history, popular culture, and politics in Germany. 
830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Global Cultural Studies