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Reconstructing Violence : The Southern Rape Complex in Film and Literature /
"In this bold study of cinematic depictions of violence in the South, Deborah E. Barker explores the ongoing legacy of the "southern rape complex" in American film. Taking as her starting point D. W. Griffith's infamous The Birth of a Nation, Barker demonstrates how the tropes an...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baton Rouge :
Louisiana State University Press,
[2015]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 010 | |z 2015008665 | ||
| 020 | |a 9780807160633 | ||
| 020 | |z 9780807160626 | ||
| 035 | |a (OCoLC)930269811 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Barker, Deborah, |d 1956- |e author. | |
| 245 | 1 | 0 | |a Reconstructing Violence : |b The Southern Rape Complex in Film and Literature / |c Deborah E. Barker. |
| 264 | 1 | |a Baton Rouge : |b Louisiana State University Press, |c [2015] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©[2015] | |
| 300 | |a 1 online resource (282 pages): |b illustrations ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Southern literary studies | |
| 505 | 0 | |a Confederate abjection in D.W. Griffith's early Civil War films and Thomas Dixon's Clansman (1905) -- Taking the South out of the southern rape complex in The Story of Temple Drake (1933) -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil (1958) -- "A man like that doesn't deserve civil rights": systemic violence in Cape Fear (1962) -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird (1962) -- Coda: A Time to Kill (1996) and post-civil rights variations on the southern rape complex. | |
| 520 | 8 | |a "In this bold study of cinematic depictions of violence in the South, Deborah E. Barker explores the ongoing legacy of the "southern rape complex" in American film. Taking as her starting point D. W. Griffith's infamous The Birth of a Nation, Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes"--Jacket. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Violence in motion pictures. |2 fast |0 (OCoLC)fst01167293 | |
| 650 | 7 | |a Violence in literature. |2 fast |0 (OCoLC)fst01167282 | |
| 650 | 7 | |a Race relations in motion pictures. |2 fast |0 (OCoLC)fst01086566 | |
| 650 | 7 | |a Race relations in literature. |2 fast |0 (OCoLC)fst01086563 | |
| 650 | 7 | |a Power (Social sciences) in motion pictures. |2 fast |0 (OCoLC)fst01904333 | |
| 650 | 7 | |a Power (Social sciences) in literature. |2 fast |0 (OCoLC)fst01074235 | |
| 650 | 6 | |a Pouvoir (Sciences sociales) dans la litterature. | |
| 650 | 6 | |a Pouvoir (Sciences sociales) au cinema. | |
| 650 | 6 | |a Relations raciales dans la litterature. | |
| 650 | 6 | |a Relations raciales au cinema. | |
| 650 | 6 | |a Violence dans la litterature. | |
| 650 | 6 | |a Violence au cinema. | |
| 650 | 0 | |a Power (Social sciences) in literature. | |
| 650 | 0 | |a Power (Social sciences) in motion pictures. | |
| 650 | 0 | |a Race relations in literature. | |
| 650 | 0 | |a Race relations in motion pictures. | |
| 650 | 0 | |a Violence in literature. | |
| 650 | 0 | |a Violence in motion pictures. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/43388/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2016 Complete | ||
| 945 | |a Project MUSE - 2016 Film, Theater and Performing Arts | ||