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Movie Migrations : Transnational Genre Flows and South Korean Cinema /

This timely new study reveals that, though South Korean popular culture might be enjoying new prominence on the global stage, the nation's film industry has long been a hub for creative appropriations across national borders. Movie Migrations explores how Korean filmmakers have put a unique spi...

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Detalles Bibliográficos
Autores principales: Chung, Hye Seung, 1971- (Autor), Diffrient, David Scott, 1972- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, New Jersey : Rutgers University Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Chung, Hye Seung,  |d 1971-  |e author. 
245 1 0 |a Movie Migrations :   |b Transnational Genre Flows and South Korean Cinema /   |c Hye Seung Chung and David Scott Diffrient. 
264 1 |a New Brunswick, New Jersey :  |b Rutgers University Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2015] 
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490 0 |a New directions in international studies 
505 0 |a Introduction: South Korean cinema's transnational trajectories -- Part. I. From classical Hollywood to the Korean golden age: cinephilia, modernization, and postcolonial genre flows. 1. Toward a strategic Korean cinephilia: a transnational detournement of Hollywood melodrama -- 2. The mamas and the papas: cross-cultural remakes, literary adaptations, and cinematic "parent" texts -- 3. The nervous laughter of vanishing fathers: modernization comedies of the 1960s -- 4. Once upon a time in Manchuria: classic and contemporary Korean westerns -- pt. II. From cinematic Seoul to global Hollywood: cosmopolitanism, empire, and transnational genre flows. 5. Reinventing the historical drama, de-westernizing a French classic: genre, gender, and the transnational imaginary in untold scandal -- 6. From Gojira to Goemul: "host" cities and "post" histories in East Asian monster movies -- 7. Extraordinarily rendered: oldboy, transmedia adaptation, and the US war on terror -- 8. A thirst for diversity: trends in Korean "multicultural films", from Bandhobi to Where is Ronny? -- Conclusion: into "spreadable" spaces: Netflix, YouTube, and the question of cultural translatability. 
520 |a This timely new study reveals that, though South Korean popular culture might be enjoying new prominence on the global stage, the nation's film industry has long been a hub for creative appropriations across national borders. Movie Migrations explores how Korean filmmakers have put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Sydkorea.  |2 sfit 
650 7 |a Motion pictures and transnationalism.  |2 fast  |0 (OCoLC)fst01747307 
650 7 |a Motion pictures and globalization.  |2 fast  |0 (OCoLC)fst01736340 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Culture in motion pictures.  |2 fast  |0 (OCoLC)fst01902963 
650 7 |a SOCIAL SCIENCE  |x Media Studies.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Cinema et mondialisation. 
650 6 |a Cinema et transnationalisme. 
650 6 |a Culture au cinema. 
650 6 |a Cinema  |z Coree du Sud  |x Histoire  |y 21e siecle. 
650 6 |a Cinema  |z Coree du Sud  |x Histoire  |y 20e siecle. 
650 0 |a Motion pictures and globalization. 
650 0 |a Motion pictures and transnationalism. 
650 0 |a Culture in motion pictures. 
650 0 |a Motion pictures  |z Korea (South)  |x History  |y 21st century. 
650 0 |a Motion pictures  |z Korea (South)  |x History  |y 20th century. 
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945 |a Project MUSE - 2015 Asian and Pacific Studies