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Agnes Varda /

Both a precursor to and a critical member of the French New Wave, Agnes Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Conway, Kelley, 1963- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2015
Colección:Contemporary film directors.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Conway, Kelley,  |d 1963-  |e author. 
245 1 0 |a Agnes Varda /   |c Kelley Conway. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2015 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2015 
300 |a 1 online resource (208 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Contemporary film directors 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes filmography (pages [157]-170), bibliographical references (pages [171]-177) and index. 
505 0 |a New wave cineaste to digital gleaner : change and continuity in the work of Agnes Varda -- Planning and precision : La pointe courte -- Structure and digression : the early short documentaries -- Cultivating the new wave spectator : Cleo from 5 to 7 -- Improvisation and formal patterning : Vagabond -- Social criticism and the self-portrait : The gleaners and I -- From cinema to the gallery : Patatutopia and L'île et elle -- Looking backward, moving forward : The beaches of Agnes -- Conclusion -- Interview. 
506 |a Access restricted to authorized users and institutions. 
520 |a Both a precursor to and a critical member of the French New Wave, Agnes Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnes . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she explores the artistic consistencies and bold changes in Varda's career and reveals how one woman charted a nontraditional trajectory through independent filmmaking. 
588 |a Description based on print version record. 
600 1 0 |a Varda, Agnes,  |d 1928-  |v Interviews. 
600 1 0 |a Varda, Agnes,  |d 1928-  |x Criticism and interpretation. 
650 0 |a Motion pictures  |z France. 
650 0 |a Motion picture producers and directors  |z France  |v Biography. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |w (DLC) 2015950937  |z 9780252039720 
710 2 |a Project Muse.  |e distributor 
830 0 |a Contemporary film directors. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/42832/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts