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Music, Analysis, Experience : New Perspectives in Musical Semiotics /
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding struct...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2015
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 050 | 4 | |a ML3845 |b .M873 2015 | |
| 245 | 0 | 0 | |a Music, Analysis, Experience : |b New Perspectives in Musical Semiotics / |c edited by Costantino Maeder and Mark Reybrouck. |
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2015 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (356 pages): |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 505 | 0 | |a Preface / Costantino Maeder and Mark Reybrouck -- part one. Setting the stage: music-in-action, semiotics, and intermediality -- part two. Representation, interpretation, and meaning -- part three. Experience, cognition, and affect -- part four. Intermediality and transdisciplinarity -- part five. Analysis and beyond. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Music |x Semiotics. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Reybrouck, Mark, |e editor. | |
| 700 | 1 | |a Maeder, Constantino, |e editor. | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/42706/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2015 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2015 Complete | ||