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151015s2015 inu o 00 0 eng d |
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|a 9780253018090
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|z 9780253018038
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|z 9780253017680
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|a (OCoLC)924717634
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Chikowero, Mhoze,
|d 1972-
|e author.
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|a African Music, Power, and Being in Colonial Zimbabwe /
|c Mhoze Chikowero.
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|a Indianapolis :
|b Indiana University Press,
|c [2015]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©[2015]
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|a 1 online resource (364 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a Ethnomusicology multimedia
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490 |
0 |
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|a African expressive cultures
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0 |
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|t Introduction: cross-cultural encounters: song, power, and being --
|t Missionary witchcrafting African being: cultural disarmament --
|t Purging the "heathen" song, mis/grafting the missionary hymn --
|t "Too many don'ts": reinforcing, disrupting the criminalization of African musical cultures --
|t Architectures of control: African urban re/creation --
|t The "tribal dance" as a colonial alibi: ethnomusicology and the tribalization of African being --
|t Chimanjemanje: performing and contesting colonial modernity --
|t The many moods of "Skokiaan": criminalized leisure, underclass defiance, and self-narration --
|t Usable pasts: crafting Madzimbabwe through memory, tradition, song --
|t Cultures of resistance: genealogies of Chimurenga song --
|t Jane Lungile Ngwenya: a transgenerational conversation --
|t Epilogue: postcolonial legacies: song, power, and knowledge production.
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|a In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.
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|a Description based on print version record.
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650 |
|
7 |
|a Social conditions.
|2 fast
|0 (OCoLC)fst01919811
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650 |
|
7 |
|a Popular music
|x Social aspects.
|2 fast
|0 (OCoLC)fst01071460
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650 |
|
7 |
|a Popular music
|x Political aspects.
|2 fast
|0 (OCoLC)fst01071452
|
650 |
|
7 |
|a Missions.
|2 fast
|0 (OCoLC)fst01023771
|
650 |
|
7 |
|a Colonial influence.
|2 fast
|0 (OCoLC)fst01352432
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650 |
|
7 |
|a MUSIC
|x Ethnomusicology.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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650 |
|
6 |
|a Musique populaire
|x Aspect politique
|z Zimbabwe
|x Histoire
|y 20e siecle.
|
650 |
|
6 |
|a Musique populaire
|x Aspect social
|z Zimbabwe
|x Histoire
|y 20e siecle.
|
650 |
|
0 |
|a Missions
|z Zimbabwe.
|
650 |
|
0 |
|a Popular music
|x Political aspects
|z Zimbabwe
|x History
|y 20th century.
|
650 |
|
0 |
|a Popular music
|x Social aspects
|z Zimbabwe
|x History
|y 20th century.
|
651 |
|
7 |
|a Zimbabwe.
|2 fast
|0 (OCoLC)fst01209419
|
651 |
|
6 |
|a Zimbabwe
|x Influence coloniale.
|
651 |
|
6 |
|a Zimbabwe
|x Conditions sociales
|y 20e siecle.
|
651 |
|
0 |
|a Zimbabwe
|x Colonial influence.
|
651 |
|
0 |
|a Zimbabwe
|x Social conditions
|y 20th century.
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
0 |
|a Electronic book.
|
655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/42581/
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945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - 2015 History
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945 |
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|a Project MUSE - 2015 Complete
|
945 |
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|a Project MUSE - 2015 African Studies
|