Cargando…

The Age of Irreverence : A New History of Laughter in China /

"The Age of Irreverence tells the story of why China's entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "histories of laughter." During the first years of...

Descripción completa

Detalles Bibliográficos
Autor principal: Rea, Christopher G. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_42514
003 MdBmJHUP
005 20230905044443.0
006 m o d
007 cr||||||||nn|n
008 150825s2015 cau o 00 0 eng d
010 |z  2015010050 
020 |a 9780520959590 
020 |z 0520959590 
020 |z 9780520283848 
035 |a (OCoLC)919124825 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Rea, Christopher G.,  |e author. 
245 1 4 |a The Age of Irreverence :   |b A New History of Laughter in China /   |c Christopher Rea. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2015] 
300 |a 1 online resource (321 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Studies of the Weatherhead East Asian Institute, Columbia University 
505 0 |a Breaking into laughter -- Jokes -- Play -- Mockery -- Farce -- The invention of humor. 
520 |a "The Age of Irreverence tells the story of why China's entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "histories of laughter." During the first years of the Republic, novelists, essayists and illustrators used humorous allegories to make veiled critiques of the new government. But political and cultural discussion repeatedly erupted into invective, as critics jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this era--from the 1890s up to the 1930s--transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter--jokes, play, mockery, farce, and humor--he reveals the textures of comedy that were a part of everyday life during modern China's first "age of irreverence." This new history offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, and discusses its legacy in the language and styles of Chinese humor today.--Provided by publisher. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Popular culture.  |2 fast  |0 (OCoLC)fst01071344 
650 7 |a Chinese wit and humor.  |2 fast  |0 (OCoLC)fst00857743 
650 7 |a HISTORY  |z Asia  |z China.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Asian  |x General.  |2 bisacsh 
650 6 |a Culture populaire  |z Chine  |x Histoire  |y 19e siecle. 
650 6 |a Humour chinois  |x Histoire et critique. 
650 0 |a Popular culture  |z China  |x History  |y 19th century. 
650 0 |a Chinese wit and humor  |x History and criticism. 
651 7 |a China.  |2 fast  |0 (OCoLC)fst01206073 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 0 |a Electronic book. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/42514/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Global Cultural Studies 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 Asian and Pacific Studies