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From Scratch : Writings in Music Theory /
One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2015
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction / Larry Polansky
- On the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg (1959)
- Meta [does not equal] Hodos (1961)
- Computer music experiences, 1961-1964 (1964)
- On the physical correlates of timbre (1965)
- Excerpts from "An experimental investigation of timbre---the violin" (1966)
- Form in twentieth-century music (1969-70)
- META Meta [does not equal] Hodos (1975)
- The chronological development of Carl Ruggles's melodic style (1977)
- Hierarchical temporal gestalt perception in music: a metric space model (with Larry Polansky) (1978-80)
- Introduction to "Contributions toward a quantitative theory of harmony" (1979)
- The structure of harmonic series aggregates (1979)
- John Cage and the theory of harmony (1983)
- Reflections after Bridge (1984)
- Review of Music as heard by Thomas Clifton (1985)
- About Changes: sixty-four studies for six harps (1987)
- Darmstadt lecture (1990)
- The several dimensions of pitch (1993/2003)
- On "crystal growth" in harmonic space (1993/2003)
- About Dispason (1996)
- Appendix 1. Pre-Meta [does not equal] Hodos (1959)
- Appendix 2. On musical parameters (ca. 1960-1961)
- Appendix 3. Excerpt from A history of 'consonance' and 'dissonance' (1988).