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From Scratch : Writings in Music Theory /

One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tenney, James (Autor)
Otros Autores: Polansky, Larry, 1954- (Editor ), Winter, Michael, 1980- (Editor ), Wannamaker, Robert Alexander, 1967- (Editor ), Pratt, Lauren (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2015
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a From Scratch :   |b Writings in Music Theory /   |c James Tenney ; edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. 
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500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction / Larry Polansky -- On the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg (1959) -- Meta [does not equal] Hodos (1961) -- Computer music experiences, 1961-1964 (1964) -- On the physical correlates of timbre (1965) -- Excerpts from "An experimental investigation of timbre---the violin" (1966) -- Form in twentieth-century music (1969-70) -- META Meta [does not equal] Hodos (1975) -- The chronological development of Carl Ruggles's melodic style (1977) -- Hierarchical temporal gestalt perception in music: a metric space model (with Larry Polansky) (1978-80) -- Introduction to "Contributions toward a quantitative theory of harmony" (1979) -- The structure of harmonic series aggregates (1979) -- John Cage and the theory of harmony (1983) -- Reflections after Bridge (1984) -- Review of Music as heard by Thomas Clifton (1985) -- About Changes: sixty-four studies for six harps (1987) -- Darmstadt lecture (1990) -- The several dimensions of pitch (1993/2003) -- On "crystal growth" in harmonic space (1993/2003) -- About Dispason (1996) -- Appendix 1. Pre-Meta [does not equal] Hodos (1959) -- Appendix 2. On musical parameters (ca. 1960-1961) -- Appendix 3. Excerpt from A history of 'consonance' and 'dissonance' (1988). 
506 |a Access restricted to authorized users and institutions. 
520 |a One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited, and revised by the self-described "composer/theorist." Selections focus on his fundamental concerns--"what the ear hears"--and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition. 
588 |a Description based on print version record. 
600 1 0 |a Tenney, James  |x Written works. 
650 0 |a Music theory. 
650 0 |a Music theorists. 
650 0 |a Composers  |z United States. 
655 7 |a Electronic books.   |2 local 
700 1 |a Polansky, Larry,  |d 1954-  |e editor. 
700 1 |a Winter, Michael,  |d 1980-  |e editor. 
700 1 |a Wannamaker, Robert Alexander,  |d 1967-  |e editor. 
700 1 |a Pratt, Lauren,  |e editor. 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |w (DLC) 2015944784  |z 9780252038723 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/42398/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Film, Theater and Performing Arts 
945 |a Project MUSE - 2015 Complete