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musev2_42398 |
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151009r20152015ilu o 00 0 eng d |
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|a 9780252096679
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|z 9780252084379
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|z 9780252038723
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|a (OCoLC)923011166
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|a MdBmJHUP
|c MdBmJHUP
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|a n-us---
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|a ML410.T325
|b T464 2015
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|a Tenney, James,
|e author.
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|a From Scratch :
|b Writings in Music Theory /
|c James Tenney ; edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2015
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2015
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|a 1 online resource (504 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references and index.
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|a Introduction / Larry Polansky -- On the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg (1959) -- Meta [does not equal] Hodos (1961) -- Computer music experiences, 1961-1964 (1964) -- On the physical correlates of timbre (1965) -- Excerpts from "An experimental investigation of timbre---the violin" (1966) -- Form in twentieth-century music (1969-70) -- META Meta [does not equal] Hodos (1975) -- The chronological development of Carl Ruggles's melodic style (1977) -- Hierarchical temporal gestalt perception in music: a metric space model (with Larry Polansky) (1978-80) -- Introduction to "Contributions toward a quantitative theory of harmony" (1979) -- The structure of harmonic series aggregates (1979) -- John Cage and the theory of harmony (1983) -- Reflections after Bridge (1984) -- Review of Music as heard by Thomas Clifton (1985) -- About Changes: sixty-four studies for six harps (1987) -- Darmstadt lecture (1990) -- The several dimensions of pitch (1993/2003) -- On "crystal growth" in harmonic space (1993/2003) -- About Dispason (1996) -- Appendix 1. Pre-Meta [does not equal] Hodos (1959) -- Appendix 2. On musical parameters (ca. 1960-1961) -- Appendix 3. Excerpt from A history of 'consonance' and 'dissonance' (1988).
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|a Access restricted to authorized users and institutions.
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|a One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited, and revised by the self-described "composer/theorist." Selections focus on his fundamental concerns--"what the ear hears"--and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition.
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|a Description based on print version record.
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1 |
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|a Tenney, James
|x Written works.
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650 |
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|a Music theory.
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650 |
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|a Music theorists.
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650 |
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|a Composers
|z United States.
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655 |
|
7 |
|a Electronic books.
|2 local
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1 |
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|a Polansky, Larry,
|d 1954-
|e editor.
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700 |
1 |
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|a Winter, Michael,
|d 1980-
|e editor.
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700 |
1 |
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|a Wannamaker, Robert Alexander,
|d 1967-
|e editor.
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700 |
1 |
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|a Pratt, Lauren,
|e editor.
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710 |
2 |
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|a Project Muse,
|e distributor.
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776 |
1 |
8 |
|i Print version:
|w (DLC) 2015944784
|z 9780252038723
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
|
0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/42398/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2015 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2015 Complete
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