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Country Soul : Making Music and Making Race in the American South /
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and M...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
University of North Carolina Press,
[2015]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction. There's a redneck in the soul band
- We only had this one thing in common : we liked all types of music : the birth of the country-soul triangle
- I got what I got the hard way : the music and mythology of the Memphis sound
- Selling soul : black music and black power in Memphis
- Take the white music and make it sound black : the Muscle Shoals sound in the 1970s
- Pride and prejudice : race and country music in the era of backlash
- The south's gonna do it again : the racial politics of the new southern music of the 1970s
- Disco and down home blues : country and soul at the end of the 1970s
- Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle.