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The Politics and Poetics of Black Film : Nothing But a Man /

Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fr...

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Detalles Bibliográficos
Otros Autores: Wall, David C. (Editor ), Martin, Michael T. (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The Politics and Poetics of Black Film :   |b Nothing But a Man /   |c edited by David C. Wall and Michael T. Martin. 
264 1 |a Bloomington :  |b Indiana University Press,  |c 2015. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015. 
300 |a 1 online resource (306 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Studies in the Cinema of the Black Diaspora 
505 0 |a Introduction: Nothing but a man and the question of black film / David C. Wall and Michael T. Martin -- Filmmakers' statements / Michael Roemer, Robert Young -- Essays. Demanding dignity: Nothing but a man / Bruce Dick and Mark Vogel -- Nothing but a man / Thomas Cripps -- The derailed romance in Nothing but a man / Karen Bowdre -- Can't stay, can't go: what is history to a cinematic imagination? / Terri Francis -- Rights, labor, and sexual politics on screen in Nothing but a man / Judith E. Smith -- Interviews. Historicity and possibility in Nothing but a man: a conversation with Khalil Muhammad / Michael T. Martin and David C. Wall -- Cinematic principles and practice at work in Nothing but a man: a conversation with Robert Young / Michael T. Martin and David C. Wall. 
520 |a Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help frame and situate the film in the context of black film studies, the book gathers primary and secondary resources, including the original screenplay, essays on the film, statements by the filmmakers, and interviews with Robert M. Young, the film's producer and cinematographer, and Khalil Gibran Muhammad, the Director of the Schomburg Center for Research in Black Culture. 
588 |a Description based on print version record. 
630 0 0 |a Nothing but a man (Motion picture) 
650 7 |a Race relations in motion pictures.  |2 fast  |0 (OCoLC)fst01086566 
650 7 |a African Americans in motion pictures.  |2 fast  |0 (OCoLC)fst00799733 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Relations raciales au cinema. 
650 6 |a Noirs americains au cinema. 
650 0 |a Race relations in motion pictures. 
650 0 |a African Americans in motion pictures. 
655 0 |a Electronic book. 
655 7 |a Electronic books.   |2 local 
700 1 |a Wall, David C.,  |e editor. 
700 1 |a Martin, Michael T.,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/42167/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Film, Theater and Performing Arts 
945 |a Project MUSE - 2015 Complete