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Phantom Limbs : On Musical Bodies /

Music invents, constructs, and makes bodies. These are not only technical bodies-those prostheses and artefacts that instruments of music are-but also bodies living a strange life, bodies as strange as a hand with more than five fingers, feet that breathe like lungs, or long-distance touching withou...

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Detalles Bibliográficos
Autor principal: Szendy, Peter
Otros Autores: Bishop, Will (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: New York : Fordham University Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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041 1 |a eng  |h fre 
100 1 |a Szendy, Peter. 
240 1 0 |a Membres fantômes des corps musiciens.  |l English 
245 1 0 |a Phantom Limbs :   |b On Musical Bodies /   |c Peter Szendy ; translated by Will Bishop. 
264 1 |a New York :  |b Fordham University Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2016. 
300 |a 1 online resource (208 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover; Contents; Training; Chapter 1 Interpreting Bodies; Chapter 2 Effictions; Chapter 3 Organologics (1): The Erasure of Bodies; Chapter 4 Touch-ups, or The Return of Bodies; Chapter 5 Idiotisms, or The Dialect of Bodies; Chapter 6 Monk, a Legend; Chapter 7 Traces of Fingers; Chapter 8 Digital Rhetoric; Chapter 9 Ablations and Grafts (Too Many Fingers); Chapter 10 Romantic Fingers (System of Touch); Chapter 11 Feet; Chapter 12 Joyful Tropiques (Evolution, Revolutions); Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up); Chapter 14 Organologics (2): Autophony. 
505 0 |a Chapter 15 Genesis (1): Ocular Harpsichord, Organ of FlavorsChapter 16 Telepathy; Chapter 17 Scruples (Clones and Stand-ins); Chapter 18 Conducting (Seen from the Back); Chapter 19 Genesis (2): Fantasia, or "Plasmaticity"; Chapter 20 Touching from Afar; Chapter 21 Organologics (3): Areality; Chapter 22 Bodies Electric; Chapter 23 Mass Formations; P.S.; Notes. 
520 8 |a Music invents, constructs, and makes bodies. These are not only technical bodies-those prostheses and artefacts that instruments of music are-but also bodies living a strange life, bodies as strange as a hand with more than five fingers, feet that breathe like lungs, or long-distance touching without contact. In this book, organology, that self-respecting discipline that inventories sound-producing bodies, is questioned for its anthropocentric presuppositions. Beyond the rational descriptions where it inscribes instrumentalists, it is a matter of thinking the forms of hybridation and organ transplants for which the general rhetoric of musical bodies makes space. 
546 |a Translated from the French. 
588 |a Description based on print version record. 
650 7 |a Music  |x Philosophy and aesthetics.  |2 fast  |0 (OCoLC)fst01030408 
650 7 |a Human body in music.  |2 fast  |0 (OCoLC)fst01730059 
650 7 |a PHILOSOPHY  |x General.  |2 bisacsh 
650 6 |a Corps humain dans la musique. 
650 6 |a Musique  |x Philosophie et esthetique. 
650 0 |a Human body in music. 
650 0 |a Music  |x Philosophy and aesthetics. 
655 7 |a Electronic books.   |2 local 
700 1 |a Bishop, Will,  |e translator. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/42130/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts