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LEADER 00000cam a22000004a 4500
001 musev2_42127
003 MdBmJHUP
005 20230905044419.0
006 m o d
007 cr||||||||nn|n
008 150923s2015 mnu o 00 0 eng d
020 |a 9781452944241 
020 |z 9780816693184 
020 |z 1452944245 
035 |a (OCoLC)921933698 
040 |a MdBmJHUP  |c MdBmJHUP 
245 0 0 |a Simultaneous Worlds :   |b Global Science Fiction Cinema /   |c [editors] Jennifer Feeley and Sarah Ann Wells. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c 2015. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015. 
300 |a 1 online resource (344 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction / Jennifer Feeley and Sarah Ann Wells -- Intermediality and new media economies. Scan lines: how cyborgs feel / Thomas Lamarre -- What is estranged in science fiction animation? / Istvan Csicsery-Ronay, Jr -- Famous for fifteen minutes: permutations of science fiction short film / Pawe Frelik -- Forms of journey and archive: remaking science fiction in contemporary artist-filmmakers' projects / Jihoon Kim -- Traveling science fiction: translation, adaptation, and interpretation. Media heterotopias and science fiction: transnational workflows and transgalactic spaces in digitally composited ecosystems / Hye Jean Chung -- F.P. 1 and the language of a global science fiction cinema / J.P. Telotte -- Enthiran, the robot: Sujatha, science fiction, and tamil cinema / Swarnavel Eswaran Pillai -- Spatial and temporal alternative modernities in the global south. Polytemporality in Argentine science fiction film: a critique of the homogenous time of historicism and modernity / Joanna Page -- Virtual immigrants: transfigured bodies and transnational spaces in science fiction cinema / Everett Hamner -- Walking dead in avana: Juan of the dead and the zombie film genre / Emily A. Maguire -- Techno-capitalism and techno-desires: the gendered affect of post-cyborgs. Who does the feeling when there's no body there?: critical feminism meets cyborg affect in Oshii Mamoru's Innocence / Sharalyn Orbaugh -- The invention of romance: Park Chan-Wook's I'm a cyborg, but that's okay / Steve Choe -- A disenchanted fantastic: the pathos of objects in Hirokazu Kore-Eda's Air doll / Michelle Cho -- National, international, intergalactic: socialist and post-socialist science fiction cinema. Alien commodities in Soviet science fiction cinema: Aelita, Solaris, and Kin-dza-dza! / Jillian Porter -- Parodies of realism at the margins of science fiction: Jang Jun-Hwan's Save the green planet and Sin Sang-ok's Pulgasari / Travis workman -- Media and messages: blurred visions of nation and science in Death ray on a coral island / Nathaniel Isaacson. 
588 |a Description based on print version record. 
650 7 |a Science fiction films.  |2 fast  |0 (OCoLC)fst01108616 
650 7 |a SOCIAL SCIENCE  |x Media Studies.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Films de science-fiction  |x Histoire et critique. 
650 0 |a Science fiction films  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Wells, Sarah Ann,  |d 1979-  |e editor. 
700 1 |a Feeley, Jennifer,  |d 1976-  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/42127/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Film, Theater and Performing Arts 
945 |a Project MUSE - 2015 Complete