Stage-Wrights : Shakespeare, Jonson, Middleton, and the Making of Theatrical Value /

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To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common play-houses and in a manner of the antithetical to what Jonson himself viewed as the higher...

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Detalles Bibliográficos
Autor principal: Yachnin, Paul Edward, 1953-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, 1997.
Colección:Book collections on Project MUSE.
Temas:
Jonson, Ben.
Shakespeare, William.
Middleton, Thomas.
Shakespeare, William, > 1564-1616.
Middleton, Thomas, > -1627.
Jonson, Ben, > 1573?-1637.
Jonson, Ben, > 1573-1637 > Technique.
Middleton, Thomas, > m. 1627.
Shakespeare, William, > 1564-1616 > Technique.
Middleton, Thomas, > -1627 > Technique.
Jonson, Ben, > 1573?-1637 > Technique.
Theater
Drama
Theater and society.
Technique.
English drama > Early modern and Elizabethan.
English drama.
Canon (Literature)
Authorship.
LITERARY CRITICISM > Shakespeare.
Chefs-d'oeuvre (Litterature)
Art d'ecrire > Histoire > 17e siecle.
Art d'ecrire > Histoire > 16e siecle.
Theâtre anglais > 17e siecle > Histoire et critique.
Theâtre et societe > Angleterre > Histoire > 17e siecle.
Theâtre et societe > Angleterre > Histoire > 16e siecle.
Theâtre anglais > 16e siecle > Histoire et critique.
Authorship > History > 17th century.
Authorship > History > 16th century.
English drama > 17th century > History and criticism.
Theater and society > England > History > 17th century.
Theater and society > England > History > 16th century.
English drama > Early modern and Elizabethan, 1500-1600 > History and criticism.
Englisch.
England
England.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Contents; Textual Note and Abbreviations; Preface; 1. The Powerless Theater; 2. Desdemona's Voice: Historical Interpretation and the Operations of Minds; 3. The Knowledge Marketplace; 4. Instituting Mirth in Renaissance Comedy; 5. Reflections of Theater in the ""Tragic Glass"" from Marlowe to Middleton; 6. ""Gargantua's Mouth"": Orality, Voice, and the Gender of Theatrical Power; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; W.

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