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100702s1997 pau o 00 0 eng d |
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|a 9781512809398
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|z 9780812233957
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|a (OCoLC)645913839
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Yachnin, Paul Edward,
|d 1953-
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245 |
1 |
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|a Stage-Wrights :
|b Shakespeare, Jonson, Middleton, and the Making of Theatrical Value /
|c Paul Yachnin.
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264 |
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|a Philadelphia :
|b University of Pennsylvania Press,
|c 1997.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©1997.
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|a 1 online resource (232 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a New cultural studies
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505 |
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|a Cover; Contents; Textual Note and Abbreviations; Preface; 1. The Powerless Theater; 2. Desdemona's Voice: Historical Interpretation and the Operations of Minds; 3. The Knowledge Marketplace; 4. Instituting Mirth in Renaissance Comedy; 5. Reflections of Theater in the ""Tragic Glass"" from Marlowe to Middleton; 6. ""Gargantua's Mouth"": Orality, Voice, and the Gender of Theatrical Power; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; W.
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|a To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common play-houses and in a manner of the antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. In Stage-Wrights Yachnin shows how Shakespeare, Jonson, and Middleton struggled to reclaim not only the importance of their art, but their own social legitimacy as well through the reshaping of the commercial theater. His bold readings of their works unveil the strategies by which they sought power from their privileged but powerless position on the margins. Adopting a hermeneutical approach, he explores a wide range of historical evidence to describe how English Renaissance drama depicted the world in ways refracted by the interests of the playing companies; throughout, he challenges recent historicist models that have overrated the importance of dramatic productions to society and its institutions of authority
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|a Description based on print version record.
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600 |
1 |
7 |
|a Jonson, Ben.
|2 swd
|
600 |
1 |
7 |
|a Shakespeare, William.
|2 swd
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600 |
1 |
7 |
|a Middleton, Thomas.
|2 swd
|
600 |
1 |
7 |
|a Shakespeare, William,
|d 1564-1616.
|2 fast
|0 (OCoLC)fst00029048
|
600 |
1 |
7 |
|a Middleton, Thomas,
|d -1627.
|2 fast
|0 (OCoLC)fst01834808
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600 |
1 |
7 |
|a Jonson, Ben,
|d 1573?-1637.
|2 fast
|0 (OCoLC)fst00053328
|
600 |
1 |
6 |
|a Jonson, Ben,
|d 1573-1637
|x Technique.
|
600 |
1 |
6 |
|a Middleton, Thomas,
|d m. 1627.
|
600 |
1 |
6 |
|a Shakespeare, William,
|d 1564-1616
|x Technique.
|
600 |
1 |
1 |
|a Shakespeare, William,
|d 1564-1616
|x Technique.
|
600 |
1 |
1 |
|a Middleton, Thomas,
|d -1627
|x Technique.
|
600 |
1 |
1 |
|a Jonson, Ben,
|d 1573?-1637
|x Technique.
|
600 |
1 |
0 |
|a Jonson, Ben,
|d 1573?-1637
|x Technique.
|
600 |
1 |
0 |
|a Middleton, Thomas,
|d -1627
|x Technique.
|
600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Technique.
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650 |
|
7 |
|a Theater
|2 gnd
|
650 |
|
7 |
|a Drama
|2 gnd
|
650 |
|
7 |
|a Theater and society.
|2 fast
|0 (OCoLC)fst01149315
|
650 |
|
7 |
|a Technique.
|2 fast
|0 (OCoLC)fst01355129
|
650 |
|
7 |
|a English drama
|x Early modern and Elizabethan.
|2 fast
|0 (OCoLC)fst01710950
|
650 |
|
7 |
|a English drama.
|2 fast
|0 (OCoLC)fst00910737
|
650 |
|
7 |
|a Canon (Literature)
|2 fast
|0 (OCoLC)fst00845906
|
650 |
|
7 |
|a Authorship.
|2 fast
|0 (OCoLC)fst00822442
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Shakespeare.
|2 bisacsh
|
650 |
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6 |
|a Chefs-d'oeuvre (Litterature)
|
650 |
|
6 |
|a Art d'ecrire
|x Histoire
|y 17e siecle.
|
650 |
|
6 |
|a Art d'ecrire
|x Histoire
|y 16e siecle.
|
650 |
|
6 |
|a Theâtre anglais
|y 17e siecle
|x Histoire et critique.
|
650 |
|
6 |
|a Theâtre et societe
|z Angleterre
|x Histoire
|y 17e siecle.
|
650 |
|
6 |
|a Theâtre et societe
|z Angleterre
|x Histoire
|y 16e siecle.
|
650 |
|
6 |
|a Theâtre anglais
|y 16e siecle
|x Histoire et critique.
|
650 |
|
0 |
|a Canon (Literature)
|
650 |
|
0 |
|a Authorship
|x History
|y 17th century.
|
650 |
|
0 |
|a Authorship
|x History
|y 16th century.
|
650 |
|
0 |
|a English drama
|y 17th century
|x History and criticism.
|
650 |
|
0 |
|a Theater and society
|z England
|x History
|y 17th century.
|
650 |
|
0 |
|a Theater and society
|z England
|x History
|y 16th century.
|
650 |
|
0 |
|a English drama
|y Early modern and Elizabethan, 1500-1600
|x History and criticism.
|
651 |
|
7 |
|a Englisch.
|2 swd
|
651 |
|
7 |
|a England
|2 gnd
|
651 |
|
7 |
|a England.
|2 fast
|0 (OCoLC)fst01219920
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/41912/
|
945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - Archive Complete Supplement IV
|
945 |
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|a Project MUSE - Archive Literature Supplement IV
|