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150819s2015 nbu o 00 0 eng d |
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|a 9780803285026
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|z 0803285027
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|z 9780803269637
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|a (OCoLC)918941497
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Romagnolo, Catherine.
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245 |
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|a Opening Acts :
|b Narrative Beginnings in Twentieth-Century Feminist Fiction /
|c Catherine Romagnolo.
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264 |
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|a Lincoln :
|b University of Nebraska Press,
|c 2015.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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264 |
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|c ©2015.
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300 |
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|a 1 online resource (200 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a Frontiers of Narrative Series
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505 |
0 |
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|a ""Cover ""; ""Title Page ""; ""Copyright Page ""; ""Contents ""; ""Acknowledgments""; ""Introduction""; ""1 No Place for Her Individual Adventure""; ""2 Waves of Beginnings""; ""3 Moving in Lofty Spirals""; ""4 Circling the History of Slavery""; ""5 Swan Feathers and Coca-Cola""; ""6 Bordering Yolanda García""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""
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|a "Examination of the ways twentieth-century novels deployed formal beginnings to challenge and destabilize the masculine and racialized authorities of traditional narrative beginnings, using six novels as case studies"--
|c Provided by publisher
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520 |
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|a "In the beginning there was. the beginning. And with the beginning came the power to tell a story. Few book-length studies of narrative beginnings exist, and not one takes a feminist perspective. Opening Acts reveals the important role of beginnings as moments of discursive authority with power and agency that have been appropriated by writers from historically marginalized groups. Catherine Romagnolo argues for a critical awareness of how social identity plays a role in the strategic use and critical interpretation of narrative beginnings. The twentieth-century U.S. women writers whom Romagnolo studies--Edith Wharton, H.D., Toni Morrison, Julia Alvarez, and Amy Tan--have seized the power to disrupt conventional structures of authority and undermine historical master narratives of marriage, motherhood, U.S. nationhood, race, and citizenship. Using six of their novels as points of entry, Romagnolo illuminates the ways in which beginnings are potentially subversive, thereby disrupting the reinscription of hierarchically gendered and racialized conceptions of authorship and agency"--
|c Provided by publisher
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546 |
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|a English.
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588 |
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|a Description based on print version record.
|
650 |
|
7 |
|a Women and literature.
|2 fast
|0 (OCoLC)fst01177093
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650 |
|
7 |
|a Narration (Rhetoric)
|2 fast
|0 (OCoLC)fst01032927
|
650 |
|
7 |
|a Feminism in literature.
|2 fast
|0 (OCoLC)fst00922752
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650 |
|
7 |
|a American fiction
|x Women authors.
|2 fast
|0 (OCoLC)fst00807099
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650 |
|
7 |
|a American fiction.
|2 fast
|0 (OCoLC)fst00807048
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650 |
|
7 |
|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Women Authors.
|2 bisacsh
|
650 |
|
6 |
|a Femmes et litterature
|z États-Unis
|x Histoire
|y 20e siecle.
|
650 |
|
6 |
|a Narration.
|
650 |
|
6 |
|a Feminisme dans la litterature.
|
650 |
|
6 |
|a Roman americain
|y 20e siecle
|x Histoire et critique.
|
650 |
|
0 |
|a Women and literature
|z United States
|x History
|y 20th century.
|
650 |
|
0 |
|a Narration (Rhetoric)
|
650 |
|
0 |
|a Feminism in literature.
|
650 |
|
0 |
|a American fiction
|y 20th century
|x History and criticism.
|
650 |
|
0 |
|a American fiction
|x Women authors
|x History and criticism.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/41680/
|
945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - 2015 Literature
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945 |
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|a Project MUSE - 2015 Complete
|