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Unsung Voices : Opera and Musical Narrative in the Nineteenth Century /

Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century m...

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Detalles Bibliográficos
Autor principal: Abbate, Carolyn (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, 1996
Edición:Second printing, and first paperback printing.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Unsung Voices :   |b Opera and Musical Narrative in the Nineteenth Century /   |c Carolyn Abbate. 
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490 0 |a Princeton studies in opera 
505 0 |a Music's voices -- What the sorcerer said -- Cherubino uncovered : reflexivity in operatic narration -- Mahler's deafness : opera and the scene of narration in Todtenfeier -- Wotan's monologue and the morality of musical narration -- Brunnhilde walks by night. 
520 |a Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis 
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945 |a Project MUSE - Archive Complete Supplement IV 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IV