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Modern/Postmodern : A Study in Twentieth-Century Arts and Ideas /

Silvio Gaggi's survey of the vast terrain of twentieth century arts and ideas is unique not only for its scope but also for the clarity and cohesiveness it brings to wide-ranging, seemingly disparate works. By identifying underlying epistemological, aesthetic, and ethical issues. Gaggi draws co...

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Detalles Bibliográficos
Autor principal: Gaggi, Silvio
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, 1991, 1989.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Modern/Postmodern :   |b A Study in Twentieth-Century Arts and Ideas /   |c Silvio-Gaggi. 
264 1 |a Philadelphia :  |b University of Pennsylvania Press,  |c 1991, 1989. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©1991, 1989. 
300 |a 1 online resource (224 pages):   |b illustrations 
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490 0 |a Penn studies in contemporary American fiction 
505 0 |a Cover ; Title ; Copyright ; Contents ; List of Plates; Acknowledgments; 1. Introduction; Las Meninas and Other Reflections; The Pirandellian and Brechtian Modes; Modern and Postmodern; 2. Self-Conscious Theatre; Pirandellian Metatheatre; Brecht's Self-Referential Theatre; Genet: Pirandellian Ritual, Brechtian Mask; Two Directions of Self-Critical Art; Skepticism and Self-Critical Art; 3. Replications and Convergences; Pop as Postmodern; From Combine to Performance; The Convergence of the Arts; Life Imitates Art; 4. Projecting Genres, Projecting Selves; Godard's Breathless; Bergman's Persona. 
505 0 |a 5. Writing About Writing: John Fowles and John BarthPirandellian and Brechtian Aspects of the Fiction of John Fowles; John Barth's Hall of Mirrors; LETTERS and the Metafictional Impasse; 6. Postmodernism, Posthumanism, and Politics; Conclusion; Bibliography; Index; A ; B ; C ; D ; E ; F ; G ; H ; I ; J ; K ; L ; M ; N ; O ; P ; Q ; R ; S ; T ; U ; V ; W. 
520 |a Silvio Gaggi's survey of the vast terrain of twentieth century arts and ideas is unique not only for its scope but also for the clarity and cohesiveness it brings to wide-ranging, seemingly disparate works. By identifying underlying epistemological, aesthetic, and ethical issues. Gaggi draws connections among such modern and postmodern masterpieces as Pirandello's and Brecht's theater, Fowles's and Barth's fiction, Warhol's paintings, Godard's and Bergman's films, and Derrida's literary theory.Modern/Postmodern begins with a discussion of the profound skepticism--about traditional beliefs and about our ability to know the self--that lies at the heart of both modernism and postmodernism. Gaggi identifies the modernist response to this doubt as the rejection of mimesis in favor of a purely formalistic or expressionistic art. The postmodern response, on the other hand, is above all to create art that is self-referential (concerned with art itself, the history of art, or its processes). Drawing from the work of Piranadello and Brecht, paradigms that can be applies to many different art works, Gaggi emphasizes how these works from diverse media relate to one another and what their relationships are to the contemporary artistic and philosophical climate. He concentrates on the works themselves, but examines theory as a parallel manifestation of the same obsessions that inform recent literature and art.Gaggi asks, finally, if self-referential art can also be politically and ethically engaged with the reality outside it. He concludes that the postmodern obsession with language, narrativity, and artifice is not necessarily a decadent indulgence but is, at its best, an honest inquiry into the problems, questions, and paradoxes of language.Modern/Postmodern is a lively approach to postmodern art that will interest all students and scholars of contemporary art and literature. 
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