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Staging Ghana : Artistry and Nationalism in State Dance Ensembles /

The Ghana Dance Ensemble takes Ghana's national culture and interprets it in performance using authentic dance forms adapted for local or foreign audiences. Often, says Paul Schauert, the aims of the ensemble and the aims of the individual performers work in opposition. Schauert discusses the h...

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Detalles Bibliográficos
Autor principal: Schauert, Paul W. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Schauert, Paul W.,  |e author. 
245 1 0 |a Staging Ghana :   |b Artistry and Nationalism in State Dance Ensembles /   |c Paul Schauert. 
264 1 |a Bloomington :  |b Indiana University Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2015] 
300 |a 1 online resource (352 pages). 
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490 0 |a Ethnomusicology multimedia 
505 0 0 |t Introduction: managing nationalism, crossing crocodiles, and staging ethnography --  |t Beyond ethnicity, beyond Ghana : staging and embodying African personality --  |t Dancing essences : sensational staging and the cosmopolitan politics of authentication --  |t Soldiers of culture : discipline, artistry, and alternative education --  |t Speak to the wind : staging the state and performing indirection --  |t "We are the originals" : a tale of two troupes and the birth of contemporary dance in Ghana --  |t Politics of personality : creativity, competition, and self-expression within a unitary matrix --  |t Conclusion: managing self, state, and nation. 
520 |a The Ghana Dance Ensemble takes Ghana's national culture and interprets it in performance using authentic dance forms adapted for local or foreign audiences. Often, says Paul Schauert, the aims of the ensemble and the aims of the individual performers work in opposition. Schauert discusses the history of the dance troupe and its role in Ghana's post-independence nation-building strategy and illustrates how the nation's culture makes its way onto the stage. He argues that as dancers negotiate the terrain of what is or is not authentic, they also find ways to express their personal aspirations, discovering, within the framework of nationalism or collective identity, that there is considerable room to reform national ideals through individual virtuosity. 
546 |a English. 
588 |a Description based on print version record. 
610 2 7 |a Ghana Dance Ensemble.  |2 fast  |0 (OCoLC)fst00742844 
610 2 0 |a Ghana Dance Ensemble. 
650 7 |a Nationalism and the arts.  |2 fast  |0 (OCoLC)fst01745801 
650 7 |a Folk dancing.  |2 fast  |0 (OCoLC)fst00928643 
650 7 |a Dance companies.  |2 fast  |0 (OCoLC)fst00887496 
650 7 |a Cultural policy.  |2 fast  |0 (OCoLC)fst00885007 
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650 6 |a Danse folklorique  |z Ghāna. 
650 0 |a Nationalism and the arts  |z Ghana. 
650 0 |a Dance companies  |z Ghana. 
650 0 |a Folk dancing  |z Ghana. 
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651 0 |a Ghana  |x Cultural policy. 
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945 |a Project MUSE - 2015 Global Cultural Studies 
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945 |a Project MUSE - 2015 African Studies