Theatre History Studies 2014, Vol. 33 : Theatres of War / Vol. 33, Theatres of War. Theatres of War. Vol. 33,

Volume 33 of Theatre History Studies explores war. War is a paradox-horrifying and compelling, galvanizing and devastating, a phenomenon that separates and decimates while at the same time creating and strengthening national identity and community bonds. War is the stuff of great drama. War and thea...

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Detalles Bibliográficos
Autor Corporativo: Mid-America Theatre Conference (sponsoring body.)
Otros Autores: Reitz Mullenix, Elizabeth (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa, Alabama : University of Alabama Press, [2014]
Colección:Book collections on Project MUSE.
Temas:
Theater.
PERFORMING ARTS > Theater > General.
Theater > History.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • List of Illustrations; Introduction
  • Elizabeth Reitz Mullenix; Civil War Memories on the Nineteenth-Century Amateur Stage: Preserving the Union (and Its White Manly Parts)
  • Bethany D. Holmstrom; Corporeal Disasters of War: Legibilities of "Spain" and the Jewish Body in Helen Tamiris's ""Adelante""!
  • Lisa Jackson-Schebetta; A Doughgirl with the Doughboys: Elsie Janis, "The Regular Girl," and the Performance of Gender in World War I Entertainment
  • Deanna Toten Beard; Staging Hibernia: Female Allegories of Ireland in ""Cathleen Ní Houlihan and Dawn""
  • Tanya Dean.
  • Germanification, Cultural Mission, Holocaust: Theatre in Łódź during World War II
  • Anselm HeinrichResistance to War: Carl Zuckmayer's ""Des Teufels General""
  • Gene A. Plunka; "Imposing the Standards of Boston on Japan": ""Kasutori"" Performance, Censorship, and the Occupation
  • David Jortner; Locating Fascism by Dislocating War: Stage For Action's ""Skin Deep""
  • Chrystyna M. Dail; Binding and Unbinding Insurrection in Madagascar: Jean Luc Raharimanana's ""47""
  • Haddy Kreie; Beyond Political Propaganda: Performing Anticommunist Nostalgia in 1950s' Taiwan
  • Li-Wen (Joy) Wang.
  • Marilyn Monroe: Soldier in Greasepaint
  • Kristi GoodBirnam Wood: Scotland, Nationalism, and Theatres of War
  • Ariel Watson; Book Reviews; John W. Frick, ""'Uncle Tom's Cabin' on the American Stage and Screen""
  • Rosemarie K. Bank; Amy E. Hughes, ""Spectacles of Reform: Theatre and Activism in Nineteenth-Century America""
  • Amanda Boyle; Verna Foster, ed., ""Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays""
  • Peter A. Campbell; Bruce McConachie, ""Theatre & Mind""
  • Shawna Mefferd Carroll.
  • Milly S. Barranger, ""Audrey Wood and the Playwrights""
  • Miriam M. ChiricoKarl M. Kippola, ""Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-1865""
  • Francisco Costa; Lynne Kendrick and David Roesner, eds., ""Theatre Noise: The Sound of Performance""
  • Daniel C. Dennis; Tom Rutter, ""The Cambridge Introduction to Christopher Marlowe""
  • Rodney Donahue; Christin Essin, ""Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics""
  • Anne Fletcher; Claire Warden, ""British Avant-Garde Theatre""
  • Sara Freeman.
  • Wendy Arons and Theresa J. May, eds., ""Readings in Performance and Ecology""
  • Jennifer GoodlanderJim Linnell, ""Walking on Fire: The Shaping Force of Emotion in Writing Drama""
  • Jeanmarie Higgins; Soyica Diggs Colbert, ""The African American Theatrical Body: Reception, Performance, and the Stage""
  • Keith Byron Kirk; Andrew L. Erdman, ""Queen of Vaudeville: The Story of Eva Tanguay""
  • Franklin J. Lasik; Robert W. Goldsby, ""Moliere on Stage: What's So Funny?""
  • Felicia Hardison Londre; Simon Shepherd, ""Direction""
  • Lewis Magruder.
  • Carol Martin, ed., Dramaturgy of the Real on the World Stage
  • William Palmer.

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