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Theatre History Studies 2014, Vol. 33 : Theatres of War / Vol. 33, Theatres of War. Theatres of War. Vol. 33,
Volume 33 of Theatre History Studies explores war. War is a paradox-horrifying and compelling, galvanizing and devastating, a phenomenon that separates and decimates while at the same time creating and strengthening national identity and community bonds. War is the stuff of great drama. War and thea...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tuscaloosa, Alabama :
University of Alabama Press,
[2014]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
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| 245 | 0 | 0 | |a Theatre History Studies 2014, Vol. 33 : |b Theatres of War / |n Vol. 33, |p Theatres of War. |p Theatres of War. |n Vol. 33, |
| 264 | 1 | |a Tuscaloosa, Alabama : |b University of Alabama Press, |c [2014] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 0000 | |
| 264 | 4 | |c ©[2014] | |
| 300 | |a 1 online resource (320 pages). | ||
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| 490 | 0 | |a Theatre history studies ; |v volume 33 | |
| 505 | 0 | |a List of Illustrations; Introduction -- Elizabeth Reitz Mullenix; Civil War Memories on the Nineteenth-Century Amateur Stage: Preserving the Union (and Its White Manly Parts) -- Bethany D. Holmstrom; Corporeal Disasters of War: Legibilities of "Spain" and the Jewish Body in Helen Tamiris's ""Adelante""! -- Lisa Jackson-Schebetta; A Doughgirl with the Doughboys: Elsie Janis, "The Regular Girl," and the Performance of Gender in World War I Entertainment -- Deanna Toten Beard; Staging Hibernia: Female Allegories of Ireland in ""Cathleen Ní Houlihan and Dawn"" -- Tanya Dean. | |
| 505 | 0 | |a Germanification, Cultural Mission, Holocaust: Theatre in Łódź during World War II -- Anselm HeinrichResistance to War: Carl Zuckmayer's ""Des Teufels General"" -- Gene A. Plunka; "Imposing the Standards of Boston on Japan": ""Kasutori"" Performance, Censorship, and the Occupation -- David Jortner; Locating Fascism by Dislocating War: Stage For Action's ""Skin Deep"" -- Chrystyna M. Dail; Binding and Unbinding Insurrection in Madagascar: Jean Luc Raharimanana's ""47"" -- Haddy Kreie; Beyond Political Propaganda: Performing Anticommunist Nostalgia in 1950s' Taiwan -- Li-Wen (Joy) Wang. | |
| 505 | 0 | |a Marilyn Monroe: Soldier in Greasepaint -- Kristi GoodBirnam Wood: Scotland, Nationalism, and Theatres of War -- Ariel Watson; Book Reviews; John W. Frick, ""'Uncle Tom's Cabin' on the American Stage and Screen"" -- Rosemarie K. Bank; Amy E. Hughes, ""Spectacles of Reform: Theatre and Activism in Nineteenth-Century America"" -- Amanda Boyle; Verna Foster, ed., ""Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays"" -- Peter A. Campbell; Bruce McConachie, ""Theatre & Mind"" -- Shawna Mefferd Carroll. | |
| 505 | 0 | |a Milly S. Barranger, ""Audrey Wood and the Playwrights"" -- Miriam M. ChiricoKarl M. Kippola, ""Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-1865"" -- Francisco Costa; Lynne Kendrick and David Roesner, eds., ""Theatre Noise: The Sound of Performance"" -- Daniel C. Dennis; Tom Rutter, ""The Cambridge Introduction to Christopher Marlowe"" -- Rodney Donahue; Christin Essin, ""Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics"" -- Anne Fletcher; Claire Warden, ""British Avant-Garde Theatre"" -- Sara Freeman. | |
| 505 | 0 | |a Wendy Arons and Theresa J. May, eds., ""Readings in Performance and Ecology"" -- Jennifer GoodlanderJim Linnell, ""Walking on Fire: The Shaping Force of Emotion in Writing Drama"" -- Jeanmarie Higgins; Soyica Diggs Colbert, ""The African American Theatrical Body: Reception, Performance, and the Stage"" -- Keith Byron Kirk; Andrew L. Erdman, ""Queen of Vaudeville: The Story of Eva Tanguay"" -- Franklin J. Lasik; Robert W. Goldsby, ""Moliere on Stage: What's So Funny?"" -- Felicia Hardison Londre; Simon Shepherd, ""Direction"" -- Lewis Magruder. | |
| 505 | 0 | |a Carol Martin, ed., Dramaturgy of the Real on the World Stage -- William Palmer. | |
| 520 | |a Volume 33 of Theatre History Studies explores war. War is a paradox-horrifying and compelling, galvanizing and devastating, a phenomenon that separates and decimates while at the same time creating and strengthening national identity and community bonds. War is the stuff of great drama. War and theatre is a subject of increasing popularity among scholars of theatre. The essays in this special edition of Theatre History Studies brings together a unique collection of work by thirteen innovative scholars whose work explores such topics as theatre performances during war times, theatre written and. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 0 | |a Theater |x History. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Reitz Mullenix, Elizabeth, |e editor. | |
| 710 | 2 | |a Mid-America Theatre Conference, |e sponsoring body. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/41481/ |
| 945 | |a Project MUSE - Custom Collection | ||