Tabla de Contenidos:
  • Introduction: Networks and the cultural logic of modernism
  • In lieu of a manifesto: Randolph Bourne's "trans-national America" as an origin of network aesthetics
  • Network form as network politics in Jean Toomer's Cane
  • Public spaces and distributed settings in Anita Loos's Gentlemen prefer blondes
  • Schisms: form and content, space and history in John Dos Passos's U.S.A. trilogy
  • Nathanael West's crowds and the closure of modern network aesthetics.