Cargando…

From Text to Hypertext : Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media /

It is a tenet of postmodern writing that the subject - the self - is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the pre-modern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in Fr...

Descripción completa

Detalles Bibliográficos
Autor principal: Gaggi, Silvio
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, 1997.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_41314
003 MdBmJHUP
005 20230905044330.0
006 m o d
007 cr||||||||nn|n
008 170601s1997 pau o 00 0 eng d
020 |a 9781512802283 
020 |z 9780812216776 
035 |a (OCoLC)932313416 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Gaggi, Silvio. 
245 1 0 |a From Text to Hypertext :   |b Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media /   |c Silvio Gaggi. 
264 1 |a Philadelphia :  |b University of Pennsylvania Press,  |c 1997. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©1997. 
300 |a 1 online resource (192 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Penn studies in contemporary American fiction 
505 0 0 |g 1.  |t The subject's eye --  |t The tie that binds --  |t The keys of power --  |t The flattened subject --  |t The gendered subject --  |t Twinning and cloning the subject --  |g 2.  |t The subject of discourse --  |t Conrad and the Mise-en-abîme --  |t Faulkner's dying "I" --  |t Calvino and the traveling subject --  |g 3.  |t The moving subject --  |t Stunts and other masquerades --  |t Coppola's lesson from Las Vegas: One from the heart, The player --  |g 4.  |t Hyperrealities and hypertexts --  |t The loss of a primary axis --  |t Hypertext --  |t The author --  |t Psychic life redefined --  |t Utopia and dystopia --  |t Hypertextual narratives --  |t Epilogue: after the subject. 
520 |a It is a tenet of postmodern writing that the subject - the self - is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the pre-modern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in From Text to Hypertext, analyzing the issues of subject construction and deconstruction in selected examples of visual art, literature, film, and electronic media. In considering electronic media, Gaggi focuses on computer-controlled media, specifically examples of hypertextual fiction by Michael Joyce and Stuart Moulthrop. Besides recognizing how the computer has enabled artists to create works of fiction in which readers themselves become decentered, Gaggi also observes the impact of literature created on computer networks, where even the limitations of CD-ROM are lifted and the notion of individual authorship may for all practical purposes be lost. 
588 |a Description based on print version record. 
650 0 7 |a Künste.  |2 swd 
650 1 7 |a Literaire thema's.  |2 gtt 
650 1 7 |a Beeldcultuur.  |2 gtt 
650 1 7 |a Subject (filosofie)  |2 gtt 
650 7 |a Künste  |2 gnd 
650 7 |a Subjekt  |g Philosophie  |2 gnd 
650 7 |a Elektronische Medien  |2 gnd 
650 7 |a Creation (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00882393 
650 7 |a Arts  |x Themes, motives.  |2 fast  |0 (OCoLC)fst00817829 
650 7 |a LITERARY CRITICISM  |x Semiotics & Theory.  |2 bisacsh 
650 6 |a Arts  |x Themes, motifs. 
650 0 |a Arts  |x Themes, motives. 
650 0 |a Creation (Literary, artistic, etc.) 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/41314/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IV 
945 |a Project MUSE - Archive Literature Supplement IV