Wagner, Schumann, and the Lessons of Beethoven's Ninth /

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"Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences th...

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Detalles Bibliográficos
Autor principal: Reynolds, Christopher A. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Wagner, Richard, > 1813-1883.
Schumann, Robert, > 1810-1856.
Beethoven, Ludwig van, > 1770-1827.
Schumann, Robert, > 1810-1856 > Criticism and interpretation.
Wagner, Richard, > 1813-1883 > Criticism and interpretation.
Beethoven, Ludwig van, > 1770-1827 > Criticism and interpretation.
Beethoven, Ludwig van, > 1770-1827 > Influence.
Beethoven, Ludwig van, > 1770-1827. > Symphonies, > no. 9, op. 125, > D minor.
Symphonies (Beethoven, Ludwig van)
Symphonies > Analysis, appreciation.
Influence (Literary, artistic, etc.)
MUSIC > Reference.
MUSIC > Genres & Styles > Classical.
Symphonies > 19e siecle > Analyse et appreciation.
Symphonies > 19th century > Analysis, appreciation.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Wagner's Faustian understanding of Beethoven's Ninth
  • The impact of the Ninth on the Flying Dutchman
  • Wagner, thematic dispersion, and contrary motion
  • Schumann, thematic dispersion, and contrary motion
  • Late Schumann, Wagner, and Bach
  • Brahms's triple response to the Ninth
  • Wagner and Schumann.

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