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150616s2015 inu o 00 0 eng d |
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|z 2015009098
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|a 9780253016591
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|z 9780253016454
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|z 9780253016539
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|a (OCoLC)911054739
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|a MdBmJHUP
|c MdBmJHUP
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|a Shipley, Jesse Weaver,
|e author.
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|a Trickster Theatre :
|b The Poetics of Freedom in Urban Africa /
|c Jesse Weaver Shipley.
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|a Bloomington :
|b Indiana University Press,
|c [2015]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©[2015]
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|a 1 online resource (300 pages):
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a African expressive cultures
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|t Introduction: poetics of duality and uncertainty --
|t History and mediations in making theatre --
|t Making culture : race, history, and a theory of performance in the Gold Coast colony --
|t The national theatre movement : urban art infrastructures and a contested national culture in independence-era Accra --
|t Revolutionary storytelling : Pan-African theatre and remaking lost futures in 1980s Ghana --
|t A man of the people : Mohammed Ben Abdallah as artist-politician --
|t Stagings in millennial Ghana --
|t Total African theatre : language, reflexivity, and ambiguity in The witch of Mopti --
|t "The best tradition goes on" : audience, consumption, and the structural transformation of Concert Party popular theatre --
|t Fake pastors and real comedians : doubling and parody in miraculous, charismatic performance --
|t Copying independence : backstage at the fiftieth-anniversary re-enactment of Nkrumah's independence speech --
|t Epilogue: unfreedom as critical theory.
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|a Trickster Theatre traces the changing social significance of national theatre in Ghana from its rise as an idealistic state project from the time of independence to its reinvention in recent electronic, market-oriented genres. Jesse Weaver Shipley presents portraits of many key figures in Ghanaian theatre and examines how Akan trickster tales were adapted as the basis of a modern national theatre. This performance style tied Accra's evolving urban identity to rural origins and to Pan-African liberation politics. Contradictions emerge, however, when the ideal Ghanaian citizen is a mythic hustler who stands at the crossroads between personal desires and collective obligations. Shipley examines the interplay between on-stage action and off-stage events to show how trickster theatre shapes an evolving urban world.
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|a English.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Tricksters in literature.
|2 fast
|0 (OCoLC)fst01156646
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650 |
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7 |
|a Theater and society.
|2 fast
|0 (OCoLC)fst01149315
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650 |
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7 |
|a Theater.
|2 fast
|0 (OCoLC)fst01149217
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650 |
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7 |
|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
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650 |
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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650 |
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6 |
|a Tricksters dans la litterature.
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650 |
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6 |
|a Theâtre et societe
|z Ghāna.
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650 |
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6 |
|a Theâtre
|z Ghāna
|x Histoire
|y 20e siecle.
|
650 |
|
0 |
|a Tricksters in literature.
|
650 |
|
0 |
|a Theater and society
|z Ghana.
|
650 |
|
0 |
|a Theater
|z Ghana
|x History
|y 20th century.
|
651 |
|
7 |
|a Ghana.
|2 fast
|0 (OCoLC)fst01208741
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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0 |
|a Electronic book.
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/41050/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2015 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2015 Complete
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945 |
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|a Project MUSE - 2015 African Studies
|