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Richard Wagner, Fritz Lang, and the Nibelungen : The Dramaturgy of Disavowal /

Levin begins with an explanation of the book's theoretical foundations and then applies these theories to close readings of, in turn, Wagner's cycle and Lang's film. He concludes by tracing how Germans have dealt with the Nibelungen myths in the Wake of the Second World War, paying sp...

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Detalles Bibliográficos
Autor principal: Levin, David J., 1960-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chichester : Princeton University Press, 1999.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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035 |a (OCoLC)900194058 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Levin, David J.,  |d 1960- 
245 1 0 |a Richard Wagner, Fritz Lang, and the Nibelungen :   |b The Dramaturgy of Disavowal /   |c David J. Levin. 
264 1 |a Chichester :  |b Princeton University Press,  |c 1999. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©1999. 
300 |a 1 online resource (224 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Princeton paperbacks 
490 0 |a Princeton studies in opera 
500 |a Originally published: 1998. 
505 0 |a Representation's bad object: the Nibelungen, aggression, and aesthetics -- Where narration was, there Darstellung shall be: Wagner and the scene of narration -- Viewing with a vengeance: the dramaturgy of appearances in Fritz Lang's Siegfried -- Disavowal and figuration: the Nibelungen after the Third Reich. 
520 8 |a Levin begins with an explanation of the book's theoretical foundations and then applies these theories to close readings of, in turn, Wagner's cycle and Lang's film. He concludes by tracing how Germans have dealt with the Nibelungen myths in the Wake of the Second World War, paying special attention to Michael Verhoeven's 1989 film The Nasty Girl. 
520 |a This book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two important and controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. 
588 |a Description based on print version record. 
600 1 7 |a Lang, Fritz,  |d 1890-1976  |2 fast  |0 (OCoLC)fst00034110 
600 1 1 |a Wagner, Richard,  |d 1813-1883.  |t Ring des Nibelungen. 
600 1 1 |a Lang, Fritz,  |d 1890-1976  |x Criticism and interpretation. 
600 1 0 |a Lang, Fritz,  |d 1890-1976  |x Criticism and interpretation. 
600 1 0 |a Wagner, Richard,  |d 1813-1883.  |t Ring des Nibelungen. 
630 0 7 |a Nibelungen : Siegfried (Motion picture : 1924)  |2 fast  |0 (OCoLC)fst01716180 
630 0 7 |a Ring des Nibelungen (Wagner, Richard)  |2 fast  |0 (OCoLC)fst01356234 
630 0 0 |a Nibelungen (Motion picture) 
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650 0 |a Music  |x Social aspects  |z Germany. 
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651 0 |a Germany  |x Civilization  |y 19th century. 
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945 |a Project MUSE - Archive Complete Supplement IV 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IV